Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... leave untouched, or merely glanced at, questions regarding his life and character, the development of his genius and art, the genuineness, sources, texts, inter-relations of his various works. Even what may be called, in a restricted ...
... leave untouched, or merely glanced at, questions regarding his life and character, the development of his genius and art, the genuineness, sources, texts, inter-relations of his various works. Even what may be called, in a restricted ...
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... leave out of account, because, even if Shakespeare wrote the whole of it, he did so before he had either a style of his own or any characteristic tragic conception. Timon stands on a different footing. Parts of it are unquestionably ...
... leave out of account, because, even if Shakespeare wrote the whole of it, he did so before he had either a style of his own or any characteristic tragic conception. Timon stands on a different footing. Parts of it are unquestionably ...
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... leaves him. At the end, when he is determined to live no longer, he is as anxious as Hamlet not to be misjudged by the great world, and his last speech begins, Soft you; a word or two before you go. I have done the state some service ...
... leaves him. At the end, when he is determined to live no longer, he is as anxious as Hamlet not to be misjudged by the great world, and his last speech begins, Soft you; a word or two before you go. I have done the state some service ...
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... leave the 'action,' however, there is another question that may usefully be asked. Can we define this 'action' further by describing it as a conflict? The frequent use of this idea in discussions on tragedy is ultimately due, I suppose ...
... leave the 'action,' however, there is another question that may usefully be asked. Can we define this 'action' further by describing it as a conflict? The frequent use of this idea in discussions on tragedy is ultimately due, I suppose ...
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... leave us crushed, rebellious or desperate. These statements will be accepted, I believe, by any reader who is in touch with Shakespeare's mind and can observe his own. Indeed such a reader is rather likely to complain that they are ...
... leave us crushed, rebellious or desperate. These statements will be accepted, I believe, by any reader who is in touch with Shakespeare's mind and can observe his own. Indeed such a reader is rather likely to complain that they are ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action Albany answer Antony and Cleopatra appears Back Banquo believe blood Cassio catastrophe cause certainly character conflict conscious Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never observe once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shakespeare Shakespearean tragedy soliloquy soul speak speech suggest suppose surely thee things thou thought Timon tragic Troilus and Cressida truth whole wife Witches words