Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... leave untouched, or merely glanced at, questions regarding his life and character, the development of his genius and art, the genuineness, sources, texts, inter-relations of his various works. Even what may be called, in a restricted ...
... leave untouched, or merely glanced at, questions regarding his life and character, the development of his genius and art, the genuineness, sources, texts, inter-relations of his various works. Even what may be called, in a restricted ...
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... leave out of account, because, even if Shakespeare wrote the whole of it, he did so before he had either a style of his own or any characteristic tragic conception. Timon stands on a different footing. Parts of it are unquestionably ...
... leave out of account, because, even if Shakespeare wrote the whole of it, he did so before he had either a style of his own or any characteristic tragic conception. Timon stands on a different footing. Parts of it are unquestionably ...
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... leaves him. At the end, when he is determined to live no longer, he is as anxious as Hamlet not to be misjudged by the great world, and his last speech begins, Soft you; a word or two before you go. I have done the state some service ...
... leaves him. At the end, when he is determined to live no longer, he is as anxious as Hamlet not to be misjudged by the great world, and his last speech begins, Soft you; a word or two before you go. I have done the state some service ...
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... leave the 'action,' however, there is another question that may usefully be asked. Can we define this 'action' further by describing it as a conflict? The frequent use of this idea in discussions on tragedy is ultimately due, I suppose ...
... leave the 'action,' however, there is another question that may usefully be asked. Can we define this 'action' further by describing it as a conflict? The frequent use of this idea in discussions on tragedy is ultimately due, I suppose ...
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... leave us crushed, rebellious or desperate. These statements will be accepted, I believe, by any reader who is in touch with Shakespeare's mind and can observe his own. Indeed such a reader is rather likely to complain that they are ...
... leave us crushed, rebellious or desperate. These statements will be accepted, I believe, by any reader who is in touch with Shakespeare's mind and can observe his own. Indeed such a reader is rather likely to complain that they are ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
Häufige Begriffe und Wortgruppen
action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole