Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... live no longer, he is as anxious as Hamlet not to be misjudged by the great world, and his last speech begins, Soft you; a word or two before you go. I have done the state some service, and they know it. 2 And this characteristic of ...
... live no longer, he is as anxious as Hamlet not to be misjudged by the great world, and his last speech begins, Soft you; a word or two before you go. I have done the state some service, and they know it. 2 And this characteristic of ...
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... lives); but it is the exaggeration of a vital truth. This truth, with some of its qualifications, will appear more clearly if we now go on to ask what elements are to be found in the 'story' or 'action,' occasionally or frequently ...
... lives); but it is the exaggeration of a vital truth. This truth, with some of its qualifications, will appear more clearly if we now go on to ask what elements are to be found in the 'story' or 'action,' occasionally or frequently ...
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... lives of Lear and Cordelia. Even when we are reminded of it there is still room for hope that Edgar, who rushes away to the prison, will be in time to save them; and, however familiar we are with the play, the sudden entrance of Lear ...
... lives of Lear and Cordelia. Even when we are reminded of it there is still room for hope that Edgar, who rushes away to the prison, will be in time to save them; and, however familiar we are with the play, the sudden entrance of Lear ...
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole