Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... look at things in one light; but Hamlet and Henry IV. and Cymbeline reflect things from quite distinct positions, and Shakespeare's whole dramatic view is not to be identified with any one of these reflections. And, in the second place ...
... look at things in one light; but Hamlet and Henry IV. and Cymbeline reflect things from quite distinct positions, and Shakespeare's whole dramatic view is not to be identified with any one of these reflections. And, in the second place ...
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... look like accidents have really a connection with character, and are therefore not in the full sense accidents. Finally, I believe it will be found that almost all the prominent accidents occur when the action is well advanced and the ...
... look like accidents have really a connection with character, and are therefore not in the full sense accidents. Finally, I believe it will be found that almost all the prominent accidents occur when the action is well advanced and the ...
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... Look to her, Moor, if thou hast eyes to see; She has deceived her father, and may thee, this warning, and no less Othello's answer, 'My life upon her faith,' make our hearts sink. The whole of the coming story seems to be prefigured in ...
... Look to her, Moor, if thou hast eyes to see; She has deceived her father, and may thee, this warning, and no less Othello's answer, 'My life upon her faith,' make our hearts sink. The whole of the coming story seems to be prefigured in ...
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... look at the construction of a tragedy in two quite different ways, and that it is material to find the best of the two; and that thus, in any given instance, it is necessary first to define the opposing sides in the conflict. I will 2 ...
... look at the construction of a tragedy in two quite different ways, and that it is material to find the best of the two; and that thus, in any given instance, it is necessary first to define the opposing sides in the conflict. I will 2 ...
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... look at the matter, from the point of view of construction, is to regard Goneril, Regan and Edmund as the leading characters. It is they who, in the conflict, initiate action. Their fortune mounts to the crisis, where the old King is ...
... look at the matter, from the point of view of construction, is to regard Goneril, Regan and Edmund as the leading characters. It is they who, in the conflict, initiate action. Their fortune mounts to the crisis, where the old King is ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole