Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... members of great houses, whose quarrels are of public moment. There is a decided difference here between Othello and our three other tragedies, but it is not a difference of kind. Othello himself is no mere private person;
... members of great houses, whose quarrels are of public moment. There is a decided difference here between Othello and our three other tragedies, but it is not a difference of kind. Othello himself is no mere private person;
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Andrew Cecil Bradley. difference of kind. Othello himself is no mere private person; he is the General of the Republic. At the beginning we see him in the Council-Chamber of the Senate. The consciousness of his high position never leaves ...
Andrew Cecil Bradley. difference of kind. Othello himself is no mere private person; he is the General of the Republic. At the beginning we see him in the Council-Chamber of the Senate. The consciousness of his high position never leaves ...
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... mere character, or was a psychological interest, would be a great mistake, for he was dramatic to the tips of his fingers. It is possible to find places where he has given a certain indulgence to his love of poetry, and even to his turn ...
... mere character, or was a psychological interest, would be a great mistake, for he was dramatic to the tips of his fingers. It is possible to find places where he has given a certain indulgence to his love of poetry, and even to his turn ...
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... mere victim of some power which cares neither for his sins nor for his pain. Such views contradict one another, and no third view can unite them; but the several aspects from whose isolation and exaggeration they spring are both present ...
... mere victim of some power which cares neither for his sins nor for his pain. Such views contradict one another, and no third view can unite them; but the several aspects from whose isolation and exaggeration they spring are both present ...
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... mere imperfection but plain moral evil. The love of Romeo and Juliet conducts them to death only because of the senseless hatred of their houses. Guilty ambition, seconded by diabolic malice and issuing in murder, opens the action in ...
... mere imperfection but plain moral evil. The love of Romeo and Juliet conducts them to death only because of the senseless hatred of their houses. Guilty ambition, seconded by diabolic malice and issuing in murder, opens the action in ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole