Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... nature of the tragic aspect of life as represented by Shakespeare? What is the general fact shown now in this tragedy and now in that? And we are putting the same question when we ask: What is Shakespeare's tragic conception, or ...
... nature of the tragic aspect of life as represented by Shakespeare? What is the general fact shown now in this tragedy and now in that? And we are putting the same question when we ask: What is Shakespeare's tragic conception, or ...
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... nature also is exceptional, and generally raises him in some respect much above the average level of humanity. This does not mean that he is an eccentric or a paragon. Shakespeare never drew monstrosities of virtue; some of his heroes ...
... nature also is exceptional, and generally raises him in some respect much above the average level of humanity. This does not mean that he is an eccentric or a paragon. Shakespeare never drew monstrosities of virtue; some of his heroes ...
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... nature of the tragic character is to compare it with a character of another kind. Dramas like Cymbeline and the Winter's Tale, which might seem destined to end tragically, but actually end otherwise, owe their happy ending largely to ...
... nature of the tragic character is to compare it with a character of another kind. Dramas like Cymbeline and the Winter's Tale, which might seem destined to end tragically, but actually end otherwise, owe their happy ending largely to ...
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... nature.10 Hence, in the first place, a Shakespearean tragedy is never, like some miscalled tragedies, depressing. No one ever closes the book with the feeling that man is a poor mean creature. He may be wretched and he may be awful, but ...
... nature.10 Hence, in the first place, a Shakespearean tragedy is never, like some miscalled tragedies, depressing. No one ever closes the book with the feeling that man is a poor mean creature. He may be wretched and he may be awful, but ...
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... nature so definite and fixed that whatever changes take place in it produce other changes inevitably and without regard to men's desires and regrets. And whether this system or order is best called by the name of fate or no, 12 it can ...
... nature so definite and fixed that whatever changes take place in it produce other changes inevitably and without regard to men's desires and regrets. And whether this system or order is best called by the name of fate or no, 12 it can ...
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole