Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... observe characteristic differences among the four plays. And to this may be added the little that it seems necessary to premise on the position of these dramas in Shakespeare's literary career. Much that is said on our main preliminary ...
... observe characteristic differences among the four plays. And to this may be added the little that it seems necessary to premise on the position of these dramas in Shakespeare's literary career. Much that is said on our main preliminary ...
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... observe the identity of the two in a certain point which is often ignored. Tragedy with Shakespeare is concerned always with persons of 'high degree'; often with kings or princes; if not, with leaders in the state like Coriolanus ...
... observe the identity of the two in a certain point which is often ignored. Tragedy with Shakespeare is concerned always with persons of 'high degree'; often with kings or princes; if not, with leaders in the state like Coriolanus ...
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... observe that the notion of tragedy as a conflict emphasises the fact that action is the centre of the story, while the concentration of interest, in the greater plays, on the inward struggle emphasises the fact that this action is ...
... observe that the notion of tragedy as a conflict emphasises the fact that action is the centre of the story, while the concentration of interest, in the greater plays, on the inward struggle emphasises the fact that this action is ...
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... observe a marked one-sidedness, a predisposition in some particular direction; a total incapacity, in certain circumstances, of resisting the force which draws in this direction; a fatal tendency to identify the whole being with one ...
... observe a marked one-sidedness, a predisposition in some particular direction; a total incapacity, in certain circumstances, of resisting the force which draws in this direction; a fatal tendency to identify the whole being with one ...
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... observe that Shakespeare does admit such heroes, 9 and also that he appears to feel, and exerts himself to meet, the difficulty that arises from their admission. The difficulty is that the spectator must desire their defeat and even ...
... observe that Shakespeare does admit such heroes, 9 and also that he appears to feel, and exerts himself to meet, the difficulty that arises from their admission. The difficulty is that the spectator must desire their defeat and even ...
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole