Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... persons are to stand, or what gestures they ought to use; but they want to realise fully and exactly the inner movements which produced these words and no other, these deeds and no other, at each particular moment. This, carried through ...
... persons are to stand, or what gestures they ought to use; but they want to realise fully and exactly the inner movements which produced these words and no other, these deeds and no other, at each particular moment. This, carried through ...
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... persons (many more than the persons in a Greek play, unless the members of the Chorus are reckoned among them); but it is pre-eminently the story of one person, the 'hero,' or at most of two, the 'hero' and 'heroine.' Moreover, it is ...
... persons (many more than the persons in a Greek play, unless the members of the Chorus are reckoned among them); but it is pre-eminently the story of one person, the 'hero,' or at most of two, the 'hero' and 'heroine.' Moreover, it is ...
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... person. They are themselves of some striking kind. They are also, as a rule, unexpected, and contrasted with previous happiness or glory. A tale, for example, of a man slowly worn to death by disease, poverty, little cares, sordid vices ...
... person. They are themselves of some striking kind. They are also, as a rule, unexpected, and contrasted with previous happiness or glory. A tale, for example, of a man slowly worn to death by disease, poverty, little cares, sordid vices ...
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... persons of 'high degree'; often with kings or princes; if not, with leaders in the state like Coriolanus, Brutus, Antony; at the least, as in Romeo and Juliet, with members of great houses, whose quarrels are of public moment. There is ...
... persons of 'high degree'; often with kings or princes; if not, with leaders in the state like Coriolanus, Brutus, Antony; at the least, as in Romeo and Juliet, with members of great houses, whose quarrels are of public moment. There is ...
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Andrew Cecil Bradley. difference of kind. Othello himself is no mere private person; he is the General of the Republic. At the beginning we see him in the Council-Chamber of the Senate. The consciousness of his high position never leaves ...
Andrew Cecil Bradley. difference of kind. Othello himself is no mere private person; he is the General of the Republic. At the beginning we see him in the Council-Chamber of the Senate. The consciousness of his high position never leaves ...
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole