Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... pity. But the proportions of this ingredient, and the direction taken by tragic pity, will naturally vary greatly. Pity, for example, has a much larger part in King Lear than in Macbeth, and is directed in the one case chiefly to the ...
... pity. But the proportions of this ingredient, and the direction taken by tragic pity, will naturally vary greatly. Pity, for example, has a much larger part in King Lear than in Macbeth, and is directed in the one case chiefly to the ...
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... pity; it startled also another feeling, that of fear. It frightened men and awed them. It made them feel that man is blind and helpless, the plaything of an inscrutable power, called by the name of Fortune or some other name,—a power ...
... pity; it startled also another feeling, that of fear. It frightened men and awed them. It made them feel that man is blind and helpless, the plaything of an inscrutable power, called by the name of Fortune or some other name,—a power ...
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... aspect of tragedy evidently differs greatly from the first. Men, from this point of view, appear to us primarily as agents, 'themselves the authors of their proper woe'; and our fear and pity, though they will not cease or diminish,
... aspect of tragedy evidently differs greatly from the first. Men, from this point of view, appear to us primarily as agents, 'themselves the authors of their proper woe'; and our fear and pity, though they will not cease or diminish,
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Andrew Cecil Bradley. fear and pity, though they will not cease or diminish, will be modified accordingly. We are now to consider this second aspect, remembering that it too is only one aspect, and additional to the first, not a ...
Andrew Cecil Bradley. fear and pity, though they will not cease or diminish, will be modified accordingly. We are now to consider this second aspect, remembering that it too is only one aspect, and additional to the first, not a ...
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... pity, but admiration, terror, and awe. The easiest way to bring home to oneself the nature of the tragic character is to compare it with a character of another kind. Dramas like Cymbeline and the Winter's Tale, which might seem destined ...
... pity, but admiration, terror, and awe. The easiest way to bring home to oneself the nature of the tragic character is to compare it with a character of another kind. Dramas like Cymbeline and the Winter's Tale, which might seem destined ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action Albany answer Antony and Cleopatra appears Back Banquo believe blood Cassio catastrophe cause certainly character conflict conscious Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never observe once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shakespeare Shakespearean tragedy soliloquy soul speak speech suggest suppose surely thee things thou thought Timon tragic Troilus and Cressida truth whole wife Witches words