Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... possible; how far any one of them is probable we need not discuss; but none of them is presupposed by the question we are going to consider. This question implies only that, as a matter of fact, Shakespeare in writing tragedy did ...
... possible; how far any one of them is probable we need not discuss; but none of them is presupposed by the question we are going to consider. This question implies only that, as a matter of fact, Shakespeare in writing tragedy did ...
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... possible to find places where he has given a certain indulgence to his love of poetry, and even to his turn for general reflections; but it would be very difficult, and in his later tragedies perhaps impossible, to detect passages where ...
... possible to find places where he has given a certain indulgence to his love of poetry, and even to his turn for general reflections; but it would be very difficult, and in his later tragedies perhaps impossible, to detect passages where ...
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... possible to look at the construction of a tragedy in two quite different ways, and that it is material to find the best of the two; and that thus, in any given instance, it is necessary first to define the opposing sides in the conflict ...
... possible to look at the construction of a tragedy in two quite different ways, and that it is material to find the best of the two; and that thus, in any given instance, it is necessary first to define the opposing sides in the conflict ...
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... possible only where there is, besides the hero, some character who engages our interest in the highest degree, and with whose fate his own is bound up. Thus the murder of Desdemona is separated by some distance from the death of Othello ...
... possible only where there is, besides the hero, some character who engages our interest in the highest degree, and with whose fate his own is bound up. Thus the murder of Desdemona is separated by some distance from the death of Othello ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole