Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... present and exerting an influence; to the sense of failure in Brutus, to the stifled workings of conscience in Richard, to the half-formed thought or the horrified memory of guilt in Macbeth, to suspicion in Hamlet. Moreover, its ...
... present and exerting an influence; to the sense of failure in Brutus, to the stifled workings of conscience in Richard, to the half-formed thought or the horrified memory of guilt in Macbeth, to suspicion in Hamlet. Moreover, its ...
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... present in his early heroes, Romeo and Richard II., infatuated men, who otherwise rise comparatively little above the ordinary level. It is a fatal gift, but it carries with it a touch of greatness; and when there is joined to it ...
... present in his early heroes, Romeo and Richard II., infatuated men, who otherwise rise comparatively little above the ordinary level. It is a fatal gift, but it carries with it a touch of greatness; and when there is joined to it ...
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... present from which it is probably impossible wholly to escape. What I mean is this. Any answer we give to the question proposed ought to correspond with, or to represent in terms of the understanding, our imaginative and emotional ...
... present from which it is probably impossible wholly to escape. What I mean is this. Any answer we give to the question proposed ought to correspond with, or to represent in terms of the understanding, our imaginative and emotional ...
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... present question. From the first it follows that the ultimate power in the tragic world is not adequately described as a law or order which we can see to be just and benevolent,—as, in that sense, a 'moral order': for in that case the ...
... present question. From the first it follows that the ultimate power in the tragic world is not adequately described as a law or order which we can see to be just and benevolent,—as, in that sense, a 'moral order': for in that case the ...
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... present in the fact, and a view which would be true to the fact and to the whole of our imaginative experience must in some way combine these aspects. Let us begin, then, with the idea of fatality and glance at some of the impressions ...
... present in the fact, and a view which would be true to the fact and to the whole of our imaginative experience must in some way combine these aspects. Let us begin, then, with the idea of fatality and glance at some of the impressions ...
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole