Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... readers often shrink from this task, which seems to them prosaic or even a desecration. They misunderstand, I believe. They would not shrink if they remembered two things. In the first place, in this process of comparison and analysis ...
... readers often shrink from this task, which seems to them prosaic or even a desecration. They misunderstand, I believe. They would not shrink if they remembered two things. In the first place, in this process of comparison and analysis ...
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... readers run to the opposite extreme, and openly or privately regard the supernatural as having nothing to do with the real interest of the play. (c) Shakespeare, lastly, in most of his tragedies allows to 'chance' or 'accident' an ...
... readers run to the opposite extreme, and openly or privately regard the supernatural as having nothing to do with the real interest of the play. (c) Shakespeare, lastly, in most of his tragedies allows to 'chance' or 'accident' an ...
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... readers would have to search painfully for instances. It is, further, frequently easy to see the dramatic intention of an accident; and some things which look like accidents have really a connection with character, and are therefore not ...
... readers would have to search painfully for instances. It is, further, frequently easy to see the dramatic intention of an accident; and some things which look like accidents have really a connection with character, and are therefore not ...
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... reader who is in touch with Shakespeare's mind and can observe his own. Indeed such a reader is rather likely to complain that they are painfully obvious. But if they are true as well as obvious, something follows from them in regard to ...
... reader who is in touch with Shakespeare's mind and can observe his own. Indeed such a reader is rather likely to complain that they are painfully obvious. But if they are true as well as obvious, something follows from them in regard to ...
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... readers would at once reject. They would maintain, on the contrary, that this order shows characteristics of quite another kind from those which made us give it the name of fate, characteristics which certainly should not induce us to ...
... readers would at once reject. They would maintain, on the contrary, that this order shows characteristics of quite another kind from those which made us give it the name of fate, characteristics which certainly should not induce us to ...
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole