Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... reason'; and it is only want of practice that makes the concurrent use of analysis and of poetic perception difficult or irksome. And, in the second place, these dissecting processes, though they are also imaginative, are still, and are ...
... reason'; and it is only want of practice that makes the concurrent use of analysis and of poetic perception difficult or irksome. And, in the second place, these dissecting processes, though they are also imaginative, are still, and are ...
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... reasons which need not be discussed here, represents abnormal conditions of mind; insanity, for example, somnambulism, hallucinations. And deeds issuing from these are certainly not what we called deeds in the fullest sense, deeds ...
... reasons which need not be discussed here, represents abnormal conditions of mind; insanity, for example, somnambulism, hallucinations. And deeds issuing from these are certainly not what we called deeds in the fullest sense, deeds ...
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... and had supposed his slanders to have led to her death, he certainly would not have turned melancholy and wished to die. One reason why the end of the Merchant of Venice fails to satisfy us is that Shylock is a tragic character, and that ...
... and had supposed his slanders to have led to her death, he certainly would not have turned melancholy and wished to die. One reason why the end of the Merchant of Venice fails to satisfy us is that Shylock is a tragic character, and that ...
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... reasons. In the first place, essential as it is to recognise the connection between act and consequence, and natural as it may seem in some cases (e.g. Macbeth's) to say that the doer only gets what he deserves, yet in very many cases ...
... reasons. In the first place, essential as it is to recognise the connection between act and consequence, and natural as it may seem in some cases (e.g. Macbeth's) to say that the doer only gets what he deserves, yet in very many cases ...
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... reason, and where Gloster is blinded and expelled from his home (iii. vi. and vii.). Then the counter-action begins to gather force, and their cause to decline; and, although they win the battle, they are involved in the catastrophe ...
... reason, and where Gloster is blinded and expelled from his home (iii. vi. and vii.). Then the counter-action begins to gather force, and their cause to decline; and, although they win the battle, they are involved in the catastrophe ...
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole