Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... scene a scene of woe, are an essential ingredient in tragedy and a chief source of the tragic emotions, and especially of pity. But the proportions of this ingredient, and the direction taken by tragic pity, will naturally vary greatly ...
... scene a scene of woe, are an essential ingredient in tragedy and a chief source of the tragic emotions, and especially of pity. But the proportions of this ingredient, and the direction taken by tragic pity, will naturally vary greatly ...
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... scene of the fifth act of a tragedy has its meaning, but it would not be true if the word 'tragedy' bore its dramatic sense. The pangs of despised love and the anguish of remorse, we say, are the same in a peasant and a prince; but, not ...
... scene of the fifth act of a tragedy has its meaning, but it would not be true if the word 'tragedy' bore its dramatic sense. The pangs of despised love and the anguish of remorse, we say, are the same in a peasant and a prince; but, not ...
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... scene, or part of a scene, either full of life and stir, or in some other way arresting. Then, having secured a hearing, he proceeds to conversations at a lower pitch, accompanied by little action but conveying much information. For ...
... scene, or part of a scene, either full of life and stir, or in some other way arresting. Then, having secured a hearing, he proceeds to conversations at a lower pitch, accompanied by little action but conveying much information. For ...
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... scene, which contains no action but introduces almost all the dramatis personae and adds the information left wanting. The opening of Macbeth is even more remarkable, for there is probably no parallel to its first scene, where the ...
... scene, which contains no action but introduces almost all the dramatis personae and adds the information left wanting. The opening of Macbeth is even more remarkable, for there is probably no parallel to its first scene, where the ...
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... scene is devoted wholly to them. And again, in Othello, since Roderigo is to occupy a peculiar position almost throughout the action, he is introduced at once, alone with Iago, and his position is explained before the other characters ...
... scene is devoted wholly to them. And again, in Othello, since Roderigo is to occupy a peculiar position almost throughout the action, he is introduced at once, alone with Iago, and his position is explained before the other characters ...
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole