Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... seen already that the hero, with Shakespeare, is a person of high degree or of public importance, and that his actions or sufferings are of an unusual kind. But this is not all. His nature also is exceptional, and generally raises him ...
... seen already that the hero, with Shakespeare, is a person of high degree or of public importance, and that his actions or sufferings are of an unusual kind. But this is not all. His nature also is exceptional, and generally raises him ...
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... seen, the idea of the tragic hero as a being destroyed simply and solely by external forces is quite alien to him; and not less so is the idea of the hero as contributing to his destruction only by acts in which we see no flaw. But the ...
... seen, the idea of the tragic hero as a being destroyed simply and solely by external forces is quite alien to him; and not less so is the idea of the hero as contributing to his destruction only by acts in which we see no flaw. But the ...
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... points during the exposition this feeling is reinforced by some expression that has an ominous effect. The first words we hear from Macbeth, 'So foul and fair a day I have not seen,' echo, though he knows it not, the last words we heard.
... points during the exposition this feeling is reinforced by some expression that has an ominous effect. The first words we hear from Macbeth, 'So foul and fair a day I have not seen,' echo, though he knows it not, the last words we heard.
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... seen that the fourth and fifth parts repeat, though with a reversal of direction as regards A or B, the movement of the second and third, working towards the catastrophe as the second and third worked towards the crisis. In developing ...
... seen that the fourth and fifth parts repeat, though with a reversal of direction as regards A or B, the movement of the second and third, working towards the catastrophe as the second and third worked towards the crisis. In developing ...
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... in proceeding to speak further of Shakespeare's treatment of the tragic conflict I shall have to mention some devices which are used in Othello as well as in the other tragedies. 3 Shakespeare's general plan, we have seen, is to show.
... in proceeding to speak further of Shakespeare's treatment of the tragic conflict I shall have to mention some devices which are used in Othello as well as in the other tragedies. 3 Shakespeare's general plan, we have seen, is to show.
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole