Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... , it is so with nearly all the tragedies. There is an outward conflict of persons and groups, there is also a conflict of forces in the hero's soul; and even in Julius Caesar and Macbeth the interest of the former can.
... , it is so with nearly all the tragedies. There is an outward conflict of persons and groups, there is also a conflict of forces in the hero's soul; and even in Julius Caesar and Macbeth the interest of the former can.
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... soul, is not the Shakespearean type. The souls of those who contend with the hero may be thus undivided; they generally are; but, as a rule, the hero, though he pursues his fated way, is, at least at some point in the action, and ...
... soul, is not the Shakespearean type. The souls of those who contend with the hero may be thus undivided; they generally are; but, as a rule, the hero, though he pursues his fated way, is, at least at some point in the action, and ...
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... soul of Macbeth himself: here is the inner. And neither by itself could make the tragedy. 8 We shall see later the importance of this idea. Here we need only observe that the notion of tragedy as a conflict emphasises the fact that ...
... soul of Macbeth himself: here is the inner. And neither by itself could make the tragedy. 8 We shall see later the importance of this idea. Here we need only observe that the notion of tragedy as a conflict emphasises the fact that ...
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... soul, and the conflict in which it engages acquires that magnitude which stirs not only sympathy and pity, but admiration, terror, and awe. The easiest way to bring home to oneself the nature of the tragic character is to compare it ...
... soul, and the conflict in which it engages acquires that magnitude which stirs not only sympathy and pity, but admiration, terror, and awe. The easiest way to bring home to oneself the nature of the tragic character is to compare it ...
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... soul of man, we see power, intelligence, life and glory, which astound us and seem to call for our worship. And everywhere we see them perishing, devouring one another and destroying themselves, often with dreadful pain, as though they ...
... soul of man, we see power, intelligence, life and glory, which astound us and seem to call for our worship. And everywhere we see them perishing, devouring one another and destroying themselves, often with dreadful pain, as though they ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole