Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... Speaking very broadly, one may say that these poets at their best always look at things in one light; but Hamlet and Henry IV. and Cymbeline reflect things from quite distinct positions, and Shakespeare's whole dramatic view is not to ...
... Speaking very broadly, one may say that these poets at their best always look at things in one light; but Hamlet and Henry IV. and Cymbeline reflect things from quite distinct positions, and Shakespeare's whole dramatic view is not to ...
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... speak of the tragic story as being concerned primarily with one person. The story, next, leads up to, and includes, the death of the hero. On the one hand (whatever may be true of tragedy elsewhere), no play at the end of which the hero ...
... speak of the tragic story as being concerned primarily with one person. The story, next, leads up to, and includes, the death of the hero. On the one hand (whatever may be true of tragedy elsewhere), no play at the end of which the hero ...
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... speaking of in a king; and if we would realise the truth in this matter we cannot do better than compare with the effect of King Lear the effect of Tourgénief's parallel and remarkable tale of peasant life, A King Lear of the Steppes. 2 ...
... speaking of in a king; and if we would realise the truth in this matter we cannot do better than compare with the effect of King Lear the effect of Tourgénief's parallel and remarkable tale of peasant life, A King Lear of the Steppes. 2 ...
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... between two persons, of whom the hero is one; or, more fully, as lying between two parties or groups, in one of which the hero is the leading figure. Or if we prefer to speak (as we may quite well do if we know what we are about)
... between two persons, of whom the hero is one; or, more fully, as lying between two parties or groups, in one of which the hero is the leading figure. Or if we prefer to speak (as we may quite well do if we know what we are about)
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... speak of gods or of God, of evil spirits or of Satan, of heaven and of hell, and although the poet may show us ghosts from another world, these ideas do not materially influence his representation of life, nor are they used to throw ...
... speak of gods or of God, of evil spirits or of Satan, of heaven and of hell, and although the poet may show us ghosts from another world, these ideas do not materially influence his representation of life, nor are they used to throw ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole