Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... stage for a long time while the counter-action is rising; Macbeth, Hamlet and Coriolanus during about 450 lines, Lear for nearly 500, Romeo for about 550 (it matters less here, because Juliet is quite as important as Romeo). How can a ...
... stage for a long time while the counter-action is rising; Macbeth, Hamlet and Coriolanus during about 450 lines, Lear for nearly 500, Romeo for about 550 (it matters less here, because Juliet is quite as important as Romeo). How can a ...
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... stage. The long first scene of the Second Act is largely occupied with mere conversations, artfully drawn out to dimensions which can scarcely be considered essential to the plot. These expedients are fully justified by their success ...
... stage. The long first scene of the Second Act is largely occupied with mere conversations, artfully drawn out to dimensions which can scarcely be considered essential to the plot. These expedients are fully justified by their success ...
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole