Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... thought or the horrified memory of guilt in Macbeth, to suspicion in Hamlet. Moreover, its influence is never of a compulsive kind. It forms no more than an element, however important, in the problem which the hero has to face; and we ...
... thought or the horrified memory of guilt in Macbeth, to suspicion in Hamlet. Moreover, its influence is never of a compulsive kind. It forms no more than an element, however important, in the problem which the hero has to face; and we ...
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... thought, so that he represents it substantially in one and the same way whether the period of the story is preChristian or Christian. 11 He looked at this 'secular' world most intently and seriously; and he painted it, we cannot but ...
... thought, so that he represents it substantially in one and the same way whether the period of the story is preChristian or Christian. 11 He looked at this 'secular' world most intently and seriously; and he painted it, we cannot but ...
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... thoughts are ours, their ends none of our own; 'their ends' are the issues or outcomes of our thoughts, and these, says the speaker, are not our own. The tragic world is a world of action, and action is the translation of thought into ...
... thoughts are ours, their ends none of our own; 'their ends' are the issues or outcomes of our thoughts, and these, says the speaker, are not our own. The tragic world is a world of action, and action is the translation of thought into ...
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... thought she could dash out her own child's brains, finds herself hounded to death by the smell of a stranger's blood. Her husband thinks that to gain a crown he would jump the life to come, and finds that the crown has brought him all ...
... thought she could dash out her own child's brains, finds herself hounded to death by the smell of a stranger's blood. Her husband thinks that to gain a crown he would jump the life to come, and finds that the crown has brought him all ...
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... thought of murdering his sovereign; the old king has divided his kingdom between two hypocritical daughters, and has rejected his true child; the hero has acknowledged a sacred duty of revenge, but is weary of life: and we ask, What ...
... thought of murdering his sovereign; the old king has divided his kingdom between two hypocritical daughters, and has rejected his true child; the hero has acknowledged a sacred duty of revenge, but is weary of life: and we ask, What ...
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole