Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... tragic aspect of life, the tragic fact. They have, again, up to a certain point, a common form or structure. This substance and this structure, which would be found to distinguish them, for example, from Greek tragedies, may, to ...
... tragic aspect of life, the tragic fact. They have, again, up to a certain point, a common form or structure. This substance and this structure, which would be found to distinguish them, for example, from Greek tragedies, may, to ...
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... tragic conception. Timon stands on a different footing. Parts of it are unquestionably Shakespeare's, and they will be referred to in one of the later lectures. But much of the writing is evidently not his, and as it seems probable that ...
... tragic conception. Timon stands on a different footing. Parts of it are unquestionably Shakespeare's, and they will be referred to in one of the later lectures. But much of the writing is evidently not his, and as it seems probable that ...
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... tragic aspect of life as represented by Shakespeare? What is the general fact shown now in this tragedy and now in that? And we are putting the same question when we ask: What is Shakespeare's tragic conception, or conception of tragedy ...
... tragic aspect of life as represented by Shakespeare? What is the general fact shown now in this tragedy and now in that? And we are putting the same question when we ask: What is Shakespeare's tragic conception, or conception of tragedy ...
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... tragic aspect of life is only one aspect. We cannot arrive at Shakespeare's whole dramatic way of looking at the world from his tragedies alone, as we can arrive at Milton's way of regarding things, or at Wordsworth's or at Shelley's ...
... tragic aspect of life is only one aspect. We cannot arrive at Shakespeare's whole dramatic way of looking at the world from his tragedies alone, as we can arrive at Milton's way of regarding things, or at Wordsworth's or at Shelley's ...
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... tragic story as being concerned primarily with one person. The story, next, leads up to, and includes, the death of the hero. On the one hand (whatever may be true of tragedy elsewhere), no play at the end of which the hero remains ...
... tragic story as being concerned primarily with one person. The story, next, leads up to, and includes, the death of the hero. On the one hand (whatever may be true of tragedy elsewhere), no play at the end of which the hero remains ...
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole