Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... true conception of the whole, to compare, to analyse, to dissect. And such readers often shrink from this task, which seems to them prosaic or even a desecration. They misunderstand, I believe. They would not shrink if they remembered ...
... true conception of the whole, to compare, to analyse, to dissect. And such readers often shrink from this task, which seems to them prosaic or even a desecration. They misunderstand, I believe. They would not shrink if they remembered ...
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... true and adequate, may, after these explanations, be called indifferently an account of the substance of Shakespearean tragedy, or an account of Shakespeare's conception of tragedy or view of the tragic fact. Two further warnings may be ...
... true and adequate, may, after these explanations, be called indifferently an account of the substance of Shakespearean tragedy, or an account of Shakespeare's conception of tragedy or view of the tragic fact. Two further warnings may be ...
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... true of tragedy elsewhere), no play at the end of which the hero remains alive is, in the full Shakespearean sense, a tragedy; and we no longer class Troilus and Cressida or Cymbeline as such, as did the editors of the Folio. On the ...
... true of tragedy elsewhere), no play at the end of which the hero remains alive is, in the full Shakespearean sense, a tragedy; and we no longer class Troilus and Cressida or Cymbeline as such, as did the editors of the Folio. On the ...
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... true if the word 'tragedy' bore its dramatic sense. The pangs of despised love and the anguish of remorse, we say, are the same in a peasant and a prince; but, not to insist that they cannot be so when the prince is really a prince, the ...
... true if the word 'tragedy' bore its dramatic sense. The pangs of despised love and the anguish of remorse, we say, are the same in a peasant and a prince; but, not to insist that they cannot be so when the prince is really a prince, the ...
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... true to Shakespeare; but, that done to the best of our ability, the experience is the matter to be interpreted, and the test by which the interpretation must be tried. But it is extremely hard to make out exactly what this experience is ...
... true to Shakespeare; but, that done to the best of our ability, the experience is the matter to be interpreted, and the test by which the interpretation must be tried. But it is extremely hard to make out exactly what this experience is ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole