Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... truth and intensity, so that they may assume in our imaginations a shape a little less unlike the shape they wore in the imagination of their creator. For this end all those studies that were mentioned just now, of literary history and ...
... truth and intensity, so that they may assume in our imaginations a shape a little less unlike the shape they wore in the imagination of their creator. For this end all those studies that were mentioned just now, of literary history and ...
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... truth in this matter we cannot do better than compare with the effect of King Lear the effect of Tourgénief's parallel and remarkable tale of peasant life, A King Lear of the Steppes. 2 A Shakespearean tragedy as so far considered may ...
... truth in this matter we cannot do better than compare with the effect of King Lear the effect of Tourgénief's parallel and remarkable tale of peasant life, A King Lear of the Steppes. 2 A Shakespearean tragedy as so far considered may ...
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... truth to lie in action issuing from character, or in character issuing in action. Shakespeare's main interest lay here. To say that it lay in mere character, or was a psychological interest, would be a great mistake, for he was dramatic ...
... truth to lie in action issuing from character, or in character issuing in action. Shakespeare's main interest lay here. To say that it lay in mere character, or was a psychological interest, would be a great mistake, for he was dramatic ...
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... truth. This truth, with some of its qualifications, will appear more clearly if we now go on to ask what elements are to be found in the 'story' or 'action,' occasionally or frequently, beside the characteristic deeds, and the ...
... truth. This truth, with some of its qualifications, will appear more clearly if we now go on to ask what elements are to be found in the 'story' or 'action,' occasionally or frequently, beside the characteristic deeds, and the ...
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... truth. And, besides, it is not merely a fact. That men may start a course of events but can neither calculate nor control it, is a tragic fact. The dramatist may use accident so as to make us feel this; and there are also other dramatic ...
... truth. And, besides, it is not merely a fact. That men may start a course of events but can neither calculate nor control it, is a tragic fact. The dramatist may use accident so as to make us feel this; and there are also other dramatic ...
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole