Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... turn for general reflections; but it would be very difficult, and in his later tragedies perhaps impossible, to detect passages where he has allowed such freedom to the interest in character apart from action. But for the opposite ...
... turn for general reflections; but it would be very difficult, and in his later tragedies perhaps impossible, to detect passages where he has allowed such freedom to the interest in character apart from action. But for the opposite ...
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... turn is one-sided, though less so), that the story is one of human actions producing exceptional calamity and ending in the death of such a man.5 Before we leave the 'action,' however, there is another question that may usefully be ...
... turn is one-sided, though less so), that the story is one of human actions producing exceptional calamity and ending in the death of such a man.5 Before we leave the 'action,' however, there is another question that may usefully be ...
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... action is the centre of the story, while the concentration of interest, in the greater plays, on the inward struggle emphasises the fact that this action is essentially the expression of character. 3 Let us turn now from the 'action' to ...
... action is the centre of the story, while the concentration of interest, in the greater plays, on the inward struggle emphasises the fact that this action is essentially the expression of character. 3 Let us turn now from the 'action' to ...
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Andrew Cecil Bradley. 3 Let us turn now from the 'action' to the central figure in it; and, ignoring the characteristics which distinguish the heroes from one another, let us ask whether they have any common qualities which appear to be ...
Andrew Cecil Bradley. 3 Let us turn now from the 'action' to the central figure in it; and, ignoring the characteristics which distinguish the heroes from one another, let us ask whether they have any common qualities which appear to be ...
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... name of fate, characteristics which certainly should not induce us to forget those others, but which would lead us to describe it as a moral order and its necessity as a moral necessity. 5 Let us turn, then, to this idea. It brings.
... name of fate, characteristics which certainly should not induce us to forget those others, but which would lead us to describe it as a moral order and its necessity as a moral necessity. 5 Let us turn, then, to this idea. It brings.
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole