Richardson and Fielding: The Dynamics of a Critical RivalryBucknell University Press, 1999 - 264 Seiten "Richardson and Fielding: The Dynamics of a Critical Rivalry is the first book-length study of one of literature's most persistent and influential rivalries. Using an adaptation of Hans Jauss's reception theory, it surveys the recurring dichotomies projected onto Richardson and Fielding by all types of eighteenth-, nineteenth-, and twentieth-century readers. Even when the rival is not mentioned directly, readers usually make it pointedly clear that one author is being privileged at the other's expense." "Even apart from its serious implications for literary history, the story of the Richardson/Fielding rivalry is a fascinating source of critical passions, prejudices, scholarly irresponsibility, wit, and often surprising interrelations between the literary tastes and cultural environments of the day."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
Inhalt
9 | |
Reception Theory | 13 |
The Eighteenth Century Shamela to Richardsons Correspondence 17411804 | 37 |
The Nineteenth Century Richardsons Correspondence to The Saturday Review 18041893 | 93 |
The Twentieth Century Raleighs The English Novel to Watts The Rise of the Novel 18941957 | 154 |
Conclusion | 193 |
Appendix | 199 |
Notes | 208 |
Bibliography | 236 |
251 | |
Häufige Begriffe und Wortgruppen
academic admiration aesthesis Amelia Battestin biographical Blanchard Bradshaigh canon characters Clarissa Coleridge creative writers dichotomy Edited eighteenth century English Literature English Novel essay example F.R. Leavis Fielding and Richardson Fielding the Novelist Fielding's novels genre Gothic Novel Hazlitt Henry Fielding heteroglossia History of English History of Henry horizon of expectation Ian Watt Ibid Jauss Jones Joseph Andrews Lady Letters literary criticism literary history London Lovelace McKillop modern moral narrative nineteenth nineteenth-century criticism Oliphant opinion Oxford Pamela Paulson and Lockwood plot popular praise readership realism reception history reception theory references Review Rich Richard Richardson and Fielding Richardson and Fielding's Richardson or Fielding Richardson's novels Richardson/Fielding opposition Richardsonian rival rivalry romance Samuel Johnson Samuel Richardson Sarah Fielding Scott sentiment Shamela Sir Charles Grandison Smollett taste teenth-century Thackeray tion Tom Jones twentieth twentieth-century Type-Two Readers types of readers University Press versus Victorian vols Watt William women writes
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