Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1967 - 498 Seiten |
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Seite 44
... beginning of Macbeth than that of King Lear . The tone is pitched so low that the con- versation between Kent , Gloster , and Edmund is written in prose . But at the thirty - fourth line it is broken off by the entrance of Lear and his ...
... beginning of Macbeth than that of King Lear . The tone is pitched so low that the con- versation between Kent , Gloster , and Edmund is written in prose . But at the thirty - fourth line it is broken off by the entrance of Lear and his ...
Seite 66
... beginning of the Second Act , and another thing to watch the murder of Desdemona at the beginning of the Fifth . If Shakespeare has wholly avoided this difficulty in Othello , it is by treating the first part of the play in such a ...
... beginning of the Second Act , and another thing to watch the murder of Desdemona at the beginning of the Fifth . If Shakespeare has wholly avoided this difficulty in Othello , it is by treating the first part of the play in such a ...
Seite 281
... beginning , it is true , we are inclined to feel merely pity and misgivings . The first lines tell us that Lear's mind is beginning to fail with age.1 Formerly he had perceived how different were the characters of Albany and Cornwall ...
... beginning , it is true , we are inclined to feel merely pity and misgivings . The first lines tell us that Lear's mind is beginning to fail with age.1 Formerly he had perceived how different were the characters of Albany and Cornwall ...
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action answer Antony and Cleopatra appears Banquo believe blood Caesar Cassio catastrophe cause certainly character conflict Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means merely mind moral murder nature never observe once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech suffering suppose surely thee things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole wife Witches words