Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1967 - 498 Seiten |
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Seite 26
... follows from them in regard to our present question . --- From the first it follows that the ultimate power in the tragic world is not adequately described as a law or order which we can see to be just and benevolent , as , in that ...
... follows from them in regard to our present question . --- From the first it follows that the ultimate power in the tragic world is not adequately described as a law or order which we can see to be just and benevolent , as , in that ...
Seite 81
... follow them.1 If we consider the tragedies first on the side of their substance . we find at once an obvious difference between the first two and ... follows . being also a ' good ' man , shows accordingly LECT . III . 81 THE TRAGIC PERIOD.
... follow them.1 If we consider the tragedies first on the side of their substance . we find at once an obvious difference between the first two and ... follows . being also a ' good ' man , shows accordingly LECT . III . 81 THE TRAGIC PERIOD.
Seite 414
... follows either that Hamlet in praising it spoke ironically , or that Shakespeare , in making Hamlet praise it sincerely , himself wrote ironically . And both these consequences are almost incredible . Let us see what Hamlet says . He ...
... follows either that Hamlet in praising it spoke ironically , or that Shakespeare , in making Hamlet praise it sincerely , himself wrote ironically . And both these consequences are almost incredible . Let us see what Hamlet says . He ...
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action answer Antony and Cleopatra appears Banquo believe blood Caesar Cassio catastrophe cause certainly character conflict Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means merely mind moral murder nature never observe once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech suffering suppose surely thee things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole wife Witches words