Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1967 - 498 Seiten |
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Seite 243
... stage , giving it a happy ending , and putting Edgar in the place of the King of France as Cordelia's lover . From that time Shakespeare's tragedy in its original form was never seen on the stage for a century and a half . Betterton ...
... stage , giving it a happy ending , and putting Edgar in the place of the King of France as Cordelia's lover . From that time Shakespeare's tragedy in its original form was never seen on the stage for a century and a half . Betterton ...
Seite 391
... stage representations of Macbeth . I question if either this scene or the exhibition of Macduff's grief is required to heighten our abhor- rence of Macbeth's cruelty . They have a technical value in helping to give the last stage of the ...
... stage representations of Macbeth . I question if either this scene or the exhibition of Macduff's grief is required to heighten our abhor- rence of Macbeth's cruelty . They have a technical value in helping to give the last stage of the ...
Seite 455
... stage at all . Thus Cordelia , and the reader , can give their whole atten- tion to Kent . Her conversation with Kent finished , she turns ( line 12 ) to the Doctor and asks ' How does the King ? ' 1 The Doctor tells her that Lear is ...
... stage at all . Thus Cordelia , and the reader , can give their whole atten- tion to Kent . Her conversation with Kent finished , she turns ( line 12 ) to the Doctor and asks ' How does the King ? ' 1 The Doctor tells her that Lear is ...
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action answer Antony and Cleopatra appears Banquo believe blood Caesar Cassio catastrophe cause certainly character conflict Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means merely mind moral murder nature never observe once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech suffering suppose surely thee things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole wife Witches words