The Plays of William Shakespeare, Band 8 |
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Seite 4
... enter more largely into the subject , but various passages of the poem furnish such a decisive proof of the play's having been constructed upon it , as not to leave , in my apprehension , a shadow of doubt upon the subject . The ...
... enter more largely into the subject , but various passages of the poem furnish such a decisive proof of the play's having been constructed upon it , as not to leave , in my apprehension , a shadow of doubt upon the subject . The ...
Seite 8
... Enter ABRAM and BALTHASAR . Sam . My naked weapon is out ; quarrel , Ì will back thee . Gre . How ? turn thy back , and run ? Sam . Fear me not . Gre . No , marry : I fear thee ! Sam . Let us take the law of our sides ; let them begin ...
... Enter ABRAM and BALTHASAR . Sam . My naked weapon is out ; quarrel , Ì will back thee . Gre . How ? turn thy back , and run ? Sam . Fear me not . Gre . No , marry : I fear thee ! Sam . Let us take the law of our sides ; let them begin ...
Seite 9
... Enter BENVOLIO , at a Distance . Gre . Say - better ; here comes one of my master's kinsmen . Sam . Yes , better , sir . Abr . You lie . Sam . Draw , if you be men . - Gregory , remem- ber thy swashing blow . [ They fight . Ben . Part ...
... Enter BENVOLIO , at a Distance . Gre . Say - better ; here comes one of my master's kinsmen . Sam . Yes , better , sir . Abr . You lie . Sam . Draw , if you be men . - Gregory , remem- ber thy swashing blow . [ They fight . Ben . Part ...
Seite 10
William Shakespeare. Enter several Partizans of both Houses , who join the Fray ; then enter Citizens , with Clubs . 4 1 Cit . Clubs , bills , and partizans ! strike ! beat them down ! Down with the Capulets ! down with the Monta- gues !
William Shakespeare. Enter several Partizans of both Houses , who join the Fray ; then enter Citizens , with Clubs . 4 1 Cit . Clubs , bills , and partizans ! strike ! beat them down ! Down with the Capulets ! down with the Monta- gues !
Seite 17
... ] To , in this instance , signifies in comparison with , in proportion to . 7 Inherit at my house ; ] To inherit , in the language of Shak- speare's age , is to possess . Enter BENVOLIO and ROMEO . Ben . Tut , man ROMEO AND JULIET . 17.
... ] To , in this instance , signifies in comparison with , in proportion to . 7 Inherit at my house ; ] To inherit , in the language of Shak- speare's age , is to possess . Enter BENVOLIO and ROMEO . Ben . Tut , man ROMEO AND JULIET . 17.
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ancient art thou BENVOLIO blood Brabantio CAPULET Cassio Cyprus daughter dead dear death Denmark Desdemona devil dost thou doth Emil EMILIA Enter Exeunt Exit eyes fair faith Farewell father fear Fortinbras friar Friar LAURENCE gentleman give grief Guil Guildenstern Hamlet hand hath hear heart heaven hither honest honour Horatio i'the Iago is't JOHNSON Juliet kill'd King kiss lady Laer Laertes look lord madam Mantua married means Mercutio Michael Cassio Montague Moor murder never night noble Nurse o'er Ophelia Othello play POLONIUS pray Prince Queen Roderigo Romeo ROSENCRANTZ ROSENCRANTZ and GUILDENSTERN SCENE Shakspeare Shakspeare's signifies soul speak STEEVENS sweet sword tell thee There's thine thing thou art thou hast thought to-night Tybalt Venice villain weep wife wilt word