Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1950 - 498 Seiten |
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Seite 81
... called , in a popular sense , philosophic ; Brutus may be called so in a stricter sense . Each , 1I should go perhaps too far if I said that it is generally admitted that Timon of Athens also precedes the two Roman tragedies ; but its ...
... called , in a popular sense , philosophic ; Brutus may be called so in a stricter sense . Each , 1I should go perhaps too far if I said that it is generally admitted that Timon of Athens also precedes the two Roman tragedies ; but its ...
Seite 83
... called tragedies of passion , but not all of them display these extreme forms of evil . Neither of the last two does ... called villainous or horrible . Consider , finally , the impression left on us at the close of each . It is ...
... called tragedies of passion , but not all of them display these extreme forms of evil . Neither of the last two does ... called villainous or horrible . Consider , finally , the impression left on us at the close of each . It is ...
Seite 199
... called an Ethiopian , is called a Barbary horse , and is said to be going to Mauritania . All this would be of importance if we had reason to be- lieve that Shakespeare shared our ideas , knowledge and terms . Otherwise it proves ...
... called an Ethiopian , is called a Barbary horse , and is said to be going to Mauritania . All this would be of importance if we had reason to be- lieve that Shakespeare shared our ideas , knowledge and terms . Otherwise it proves ...
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action answer Antony Antony and Cleopatra appears Banquo blood Cassio catastrophe cause certainly character Cleopatra Cordelia Coriolanus Cymbeline Cyprus death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows Fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror human husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means merely mind murder nature never once Ophelia Othello pain passage passion perhaps persons pity play plot Polonius probably question reader reason refer Regan regard Richard III scene seems sense Shake Shakespeare Shakespearean tragedy simply sleep soliloquy soul speak speech strange suggest suppose surely tell thee things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole wife Witches words