Memoirs of the Life of David Garrick, Esq: Interspersed with Characters and Anecdotes of His Theatrical Contemporaries : the Whole Forming a History of the Stage : which Includes a Period of Thirty-six Years, Band 2
Wells and Lilly, 1818
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abilities acquaintance acted action actor actress admired affecting altered appeared applause attended audience Barry believe body called CHAPTER character Cibber comedy conduct conversation death dramatick Drury-lane English equal excellent expression eyes favour feelings Foote force formed friends gained Garrick gave genius give given greatly hand honour humour interest Italy kind king Lady language leave less letter living look Lord Mallet manager manner mean merit mind Miss nature never night obliged observed original paid passion performed perhaps persons piece play players pleasing pleasure plot pounds present produced proper publick rank reason received respect scene seemed Shakspeare soon speak stage success superiour sure taste theatre thing thought tion told tragedy turn various whole wife writer written young
Seite 117 - Of praise a mere glutton, he swallow'd what came, And the puff of a dunce he mistook it for fame; Till his relish grown callous, almost to disease, Who pepper'd the highest was surest to please. But let us be candid, and speak out our mind, If dunces applauded, he paid them in kind.
Seite 117 - Twas only that when he was off he was acting. With no reason on earth to go out of his way, He turn'd and he varied full ten times a day: Though secure of our hearts, yet confoundedly sick If they were not his own by finessing and trick: He cast off his friends, as a huntsman his pack, For he knew when he pleased he could whistle them back.
Seite 202 - Adopting his portraits, are pleased with their own. Say, where has our poet this malady caught? Or wherefore his characters thus without fault? Say, was it that, vainly directing his view To find out men's virtues, and finding them few, Quite sick of pursuing each troublesome elf, He grew lazy at last, and drew from himself?
Seite 201 - A flattering painter, who made it his care To draw men as they ought to be, not as they are. His gallants are all faultless, his women divine, And comedy wonders at being so fine: Like a tragedy queen he has dizen'd her out, Or rather like tragedy giving a rout. His fools have their follies so lost in a crowd Of virtues and feelings that folly grows proud; And coxcombs, alike in their failings alone, Adopting his portraits, are pleased with their own.
Seite 201 - Here Cumberland lies, having acted his parts, The Terence of England, the mender of hearts; A flattering painter, who made it his care To draw men as they ought to be, not as they are.
Seite 280 - At this man's table I enjoyed many cheerful and instructive hours, with companions such as are not often found ; with one who has lengthened and one who has gladdened life ; with Dr. James, whose skill in...
Seite 164 - I observed that he was, in degree of stage excellence, the third actor ; a Garrick and a Barry only were his superiors ; in parts of vehemence and rage he was almost unequalled ; and in sentimental gravity, from the power of his voice, and the justness of his conceptions, he was a very commanding speaker.
Seite 117 - As an actor, confess'd without rival to shine ; As a wit, if not first, in the very first line : Yet, with talents like these, and an excellent heart, The man had his failings, a dupe to his art.
Seite 204 - t; I have use for it. Go, leave me. — (Exit Emilia). I will in Cassio's lodging lose this napkin, And let him find it. Trifles, light as air, Are to the jealous confirmations strong As proofs of Holy Writ.
Seite 119 - Goldsmith was so sincere a man that he could not conceal what was uppermost in his mind. So far from desiring to appear in the eye of the world to the best advantage, he took more pains to be esteemed worse than he was, than others do to appear better than they are.