Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 12Gale Research Company, 1984 |
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Seite 163
... Vestris ' version retained musical settings for portions of the text , but some of the play's best poetry was more intact than it will be in later productions , a matter that sheer numbers do not reveal . In relative completeness , for ...
... Vestris ' version retained musical settings for portions of the text , but some of the play's best poetry was more intact than it will be in later productions , a matter that sheer numbers do not reveal . In relative completeness , for ...
Seite 164
... Vestris ' choice of this play may seem , in retrospect , an obvi- ous one given her past successes with the Olympic fairy pan- tomimes and her breeches roles , a more obvious Shakespear- ean choice than Love's Labor's Lost with which ...
... Vestris ' choice of this play may seem , in retrospect , an obvi- ous one given her past successes with the Olympic fairy pan- tomimes and her breeches roles , a more obvious Shakespear- ean choice than Love's Labor's Lost with which ...
Seite 167
... Vestris ' dances were arranged by Oscar Byrne , who came from her Olympic staff and who went on to choreograph Kean's production in 1856 . Kean had the ballet of fairies climax with a Maypole dance using garlands streaming from a palm ...
... Vestris ' dances were arranged by Oscar Byrne , who came from her Olympic staff and who went on to choreograph Kean's production in 1856 . Kean had the ballet of fairies climax with a Maypole dance using garlands streaming from a palm ...
Inhalt
The Merchant of Venice | 1 |
A Midsummer Nights Dream | 141 |
The Taming of the Shrew | 306 |
Urheberrecht | |
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acting actors Ada Rehan admirable Antonio appeared audience Barker Bassanio beautiful Belmont Bottom Brook casket cast character Christopher Sly clowns comedy comic costumes court critic curtain Daly Daly's dance delight director dramatic dress duction effect Elizabethan Ellen Terry essay date excerpt fairies feeling film Garrick give Gratiano Helena Henry Henry Irving Hermia Hippolyta interpretation Irving Irving's Jessica John Kate Katharina Kean Kean's light lines London look lovers Lysander Macklin magic mance Merchant of Venice Midsummer Night's Dream Miss Nerissa never Oberon Olivier performance Peter Peter Brook Petruchio Phelps play's players Poel poetry Portia present production Puck Pyramus and Thisbe Rehan Reinhardt review date revival role Royal Shakespeare Company scenery seems Shake Shakespeare's plays Shrew Shylock song speech spirit stage Stratford Taming Theatre theatrical Theseus thing tion Titania trial scene verse Vestris Victorian whole William words York Zeffirelli