The Dramatic Censor: Or, Critical Companion, Band 1B. Blom, 1972 - 979 Seiten |
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Seite 352
... LEAR very much wanted fuch affistance as we have mentioned . TATE's opening of the play we apprehend pre- ferable to that adopted by COLMAN ; for the Baf- tard makes us much better , that is much more decently acquainted with his ...
... LEAR very much wanted fuch affistance as we have mentioned . TATE's opening of the play we apprehend pre- ferable to that adopted by COLMAN ; for the Baf- tard makes us much better , that is much more decently acquainted with his ...
Seite 361
Or, Critical Companion Francis Gentleman. King Lear , thought of SHAKESPEARE , to make the affumed madman cause an inftantaneous return of Lear's frenzy : indeed , the beautiful distinction he has made between real and affected madness ...
Or, Critical Companion Francis Gentleman. King Lear , thought of SHAKESPEARE , to make the affumed madman cause an inftantaneous return of Lear's frenzy : indeed , the beautiful distinction he has made between real and affected madness ...
Seite 366
Or, Critical Companion Francis Gentleman. King Lear . The turn of King Lear's being defeated is the a- trically conceived ; from this point the alterers go pretty near hand in hand together to the cata- strophe ; wherefore we fhall now ...
Or, Critical Companion Francis Gentleman. King Lear . The turn of King Lear's being defeated is the a- trically conceived ; from this point the alterers go pretty near hand in hand together to the cata- strophe ; wherefore we fhall now ...
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againſt agreeable alfo alſo appears audience Beggar's Opera Cato cauſe cenfure character circumſtances confequence confiderable converfation Cymon Cyrus deferves defign defire effential expreffed expreffion Fair Penitent fatire favour fays fcene fecond feelings feems feen fenfe fenfible fentiments fhews fhort fhould firft firſt fituation foliloquy fome fong fpeech fpirit ftile fuch fuitable fuppofe fupported furniſhes gives happily Harpagus herſelf himſelf houſe humour huſband intereſting Jaffier juft juſt juſtice King King Lear lady laſt Lear leaſt Linco Macbeth Mandane mention Merchant of Venice merit Mifs moft moſt muft muſt nature obfervation occafions Othello paffages paffion perfon piece pleafing pleaſing poffeffed praiſe prefent Preferved promiſes purpoſe racter raiſe reaſon refolution repreſentation reſpect Rhadamiftus Rofalind Romeo Romeo and Juliet ſay ſcene ſeems ſeveral ſhall ſhe ſhort ſome ſpeak ſtage ſtate ſtrange ſtriking ſuch ſuppoſe Syphax tender Teribazus theſe third act thofe thoſe tion uſeful Venice whofe wiſh Zenobia