Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 259
... reference following another , to di- rect us away from the farce of a world of men who are foolish in their pursuit of fortune and family when they forget about God and toward a sense of comedy such as that conceived by Dante in his own ...
... reference following another , to di- rect us away from the farce of a world of men who are foolish in their pursuit of fortune and family when they forget about God and toward a sense of comedy such as that conceived by Dante in his own ...
Seite 325
... reference was obvious to anybody in Shakespeare's audience because even the middle classes would have read Ovid in school . They would have known that the learned Duke was referring to the myth of Actaeon who gazed upon Diana bathing ...
... reference was obvious to anybody in Shakespeare's audience because even the middle classes would have read Ovid in school . They would have known that the learned Duke was referring to the myth of Actaeon who gazed upon Diana bathing ...
Seite 328
... reference to Sa- tan , but what is such a serious reference doing in such a context ? Well , very simply in my view it emphasizes the whole artificiality of the episode that we have witnessed the game that Olivia and Viola have been ...
... reference to Sa- tan , but what is such a serious reference doing in such a context ? Well , very simply in my view it emphasizes the whole artificiality of the episode that we have witnessed the game that Olivia and Viola have been ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words