Shakespeare and the Modern Stage: With Other EssaysAMS Press, 1974 - 251 Seiten |
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Seite 39
... audience to be occu- pying a specially distinguished place . Fashionable playgoers of the male sex might , if they opened their purses wide enough , occupy stools on the wide platform - stage . Such a practice proved embar- rassing ...
... audience to be occu- pying a specially distinguished place . Fashionable playgoers of the male sex might , if they opened their purses wide enough , occupy stools on the wide platform - stage . Such a practice proved embar- rassing ...
Seite 46
... audience . A great imaginative play well acted will not achieve genuine success unless the audience has at com- mand sufficient imaginative power to induce in them an active sympathy with the efforts , not only of the actor , but of the ...
... audience . A great imaginative play well acted will not achieve genuine success unless the audience has at com- mand sufficient imaginative power to induce in them an active sympathy with the efforts , not only of the actor , but of the ...
Seite 47
With Other Essays Sir Sidney Lee. THE ACTOR AND THE AUDIENCE 47 the creation of the needful dramatic illusion is finally due to exercise of the imagination on the part of the audience.1 Theseus , in A Midsummer Night's Dream , in the ...
With Other Essays Sir Sidney Lee. THE ACTOR AND THE AUDIENCE 47 the creation of the needful dramatic illusion is finally due to exercise of the imagination on the part of the audience.1 Theseus , in A Midsummer Night's Dream , in the ...
Inhalt
II | 4 |
SHAKESPEARE AND THE ELIZABETHAN PLAYGOER | 25 |
The Contrast between the Elizabethan and the Mod | 43 |
Urheberrecht | |
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acting actor actor-manager actor-manager system admiration artistic audience Bacon Beeston Ben Jonson Benson's Betterton biography Cæsar character Charles classical comedy commemorative contemporary critical Cymbeline D'Avenant D'Avenant's dramatic art dramatist Drury Lane Ducis Dumas efforts Elizabethan Elizabethan playgoer endeavour England English experience France French genius gossip Hamlet Henry histrionic honour human imagination John Jonson Julius Cæsar King less lips literary drama literature lived London London County Council Love's Labour's Lost Lowin manager ment methods modern monument moral municipal theatre natural never Nicholas Rowe oral tradition Othello patriotic instinct Pepys Pepys's performance Phelps Phelps's philosophy piece playhouse poet poet's poetic poetry present produced realise rendered reputation Richard II rôles scenery scenic sentiment seventeenth century Shake Shakespeare's career Shakespeare's plays Shakespearean drama Shoreditch speare speare's spearean spectacular speech stage Stratford Stratford-on-Avon theatrical enterprise thou tion tragedy William William Beeston writing wrote