Shakespeare and the Modern Stage: With Other EssaysAMS Press, 1974 - 251 Seiten |
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Seite 19
... imagination of the spectators or not at all . No realistic " effects " helped the play forward in Garrick's time , yet the attention of his audience , the critics tell us , was never known to stray when he produced a great play by Shake ...
... imagination of the spectators or not at all . No realistic " effects " helped the play forward in Garrick's time , yet the attention of his audience , the critics tell us , was never known to stray when he produced a great play by Shake ...
Seite 47
... imagination amend them . " To which Hippolyta , less tolerant than Theseus of the incapacity of the players to whom she is listening , tartly retorts : " It must be your imagination ( i.e. , the spectator's ) , then , and not theirs ...
... imagination amend them . " To which Hippolyta , less tolerant than Theseus of the incapacity of the players to whom she is listening , tartly retorts : " It must be your imagination ( i.e. , the spectator's ) , then , and not theirs ...
Seite 48
... imaginative faculty by author , actor , and audience in joint - partnership . What is the moral to be deduced from any ... imagination . We must seek to enlarge our imaginative sympathy with Shakespeare's poetry . The imaginative faculty ...
... imaginative faculty by author , actor , and audience in joint - partnership . What is the moral to be deduced from any ... imagination . We must seek to enlarge our imaginative sympathy with Shakespeare's poetry . The imaginative faculty ...
Inhalt
II | 4 |
SHAKESPEARE AND THE ELIZABETHAN PLAYGOER | 25 |
The Contrast between the Elizabethan and the Mod | 43 |
Urheberrecht | |
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acting actor actor-manager actor-manager system admiration artistic audience Bacon Beeston Ben Jonson Benson's Betterton biography Cæsar character Charles classical comedy commemorative contemporary critical Cymbeline D'Avenant D'Avenant's dramatic art dramatist Drury Lane Ducis Dumas efforts Elizabethan Elizabethan playgoer endeavour England English experience France French genius gossip Hamlet Henry histrionic honour human imagination John Jonson Julius Cæsar King less lips literary drama literature lived London London County Council Love's Labour's Lost Lowin manager ment methods modern monument moral municipal theatre natural never Nicholas Rowe oral tradition Othello patriotic instinct Pepys Pepys's performance Phelps Phelps's philosophy piece playhouse poet poet's poetic poetry present produced realise rendered reputation Richard II rôles scenery scenic sentiment seventeenth century Shake Shakespeare's career Shakespeare's plays Shakespearean drama Shoreditch speare speare's spearean spectacular speech stage Stratford Stratford-on-Avon theatrical enterprise thou tion tragedy William William Beeston writing wrote