Shakespeare and the Modern Stage: With Other EssaysAMS Press, 1974 - 251 Seiten |
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Seite 92
... less than nineteen , roused in him , as a rule , an ecstatic admiration . But of all dra- matic entertainments which the theatre offered him , Pepys was most " taken " by the romantic comedy from the pen of Massinger , which is called ...
... less than nineteen , roused in him , as a rule , an ecstatic admiration . But of all dra- matic entertainments which the theatre offered him , Pepys was most " taken " by the romantic comedy from the pen of Massinger , which is called ...
Seite 108
... less than five times , and the effect of the music , dancing , and scenery , steadily grew upon him . On his second visit he wrote : - " Saw The Tempest again , which is very pleasant , and full of so good variety , that I cannot be ...
... less than five times , and the effect of the music , dancing , and scenery , steadily grew upon him . On his second visit he wrote : - " Saw The Tempest again , which is very pleasant , and full of so good variety , that I cannot be ...
Seite 204
... less fame in Elizabethan England than in France . Both Shakespeare and Bacon gave proof of indebtedness to them . By some freak of fortune Shakespeare's fame was slow in crossing the English Channel . The French dramatists of the ...
... less fame in Elizabethan England than in France . Both Shakespeare and Bacon gave proof of indebtedness to them . By some freak of fortune Shakespeare's fame was slow in crossing the English Channel . The French dramatists of the ...
Inhalt
II | 4 |
SHAKESPEARE AND THE ELIZABETHAN PLAYGOER | 25 |
The Contrast between the Elizabethan and the Mod | 43 |
Urheberrecht | |
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acting actor actor-manager actor-manager system admiration artistic audience Bacon Beeston Ben Jonson Benson's Betterton biography Cæsar character Charles classical comedy commemorative contemporary critical Cymbeline D'Avenant D'Avenant's dramatic art dramatist Drury Lane Ducis Dumas efforts Elizabethan Elizabethan playgoer endeavour England English experience France French genius gossip Hamlet Henry histrionic honour human imagination John Jonson Julius Cæsar King less lips literary drama literature lived London London County Council Love's Labour's Lost Lowin manager ment methods modern monument moral municipal theatre natural never Nicholas Rowe oral tradition Othello patriotic instinct Pepys Pepys's performance Phelps Phelps's philosophy piece playhouse poet poet's poetic poetry present produced realise rendered reputation Richard II rôles scenery scenic sentiment seventeenth century Shake Shakespeare's career Shakespeare's plays Shakespearean drama Shoreditch speare speare's spearean spectacular speech stage Stratford Stratford-on-Avon theatrical enterprise thou tion tragedy William William Beeston writing wrote