Shakespeare and the Modern Stage: With Other EssaysAMS Press, 1974 - 251 Seiten |
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Seite 5
With Other Essays Sir Sidney Lee. THE PURPOSE OF SCENERY 5 audience that illusion of environment which the text invites . Without so much scenery or costume the words fail to get home to the audience . In comedies dealing with concrete ...
With Other Essays Sir Sidney Lee. THE PURPOSE OF SCENERY 5 audience that illusion of environment which the text invites . Without so much scenery or costume the words fail to get home to the audience . In comedies dealing with concrete ...
Seite 13
... scenery in Shakespearean productions be relegated to its proper place in the background of the stage , it is necessary that the acting , from top to bottom of the cast , shall be more efficient and better har- monised than that which is ...
... scenery in Shakespearean productions be relegated to its proper place in the background of the stage , it is necessary that the acting , from top to bottom of the cast , shall be more efficient and better har- monised than that which is ...
Seite 106
... scenery , and the scenic mechanism.1 There was an orchestra of twenty - four violins in front of the stage , with harpsichords and " theorbos " to accompany the voices ; new songs 1 The Dryden - D'Avenant perversion of The Tempest which ...
... scenery , and the scenic mechanism.1 There was an orchestra of twenty - four violins in front of the stage , with harpsichords and " theorbos " to accompany the voices ; new songs 1 The Dryden - D'Avenant perversion of The Tempest which ...
Inhalt
II | 4 |
SHAKESPEARE AND THE ELIZABETHAN PLAYGOER | 25 |
The Contrast between the Elizabethan and the Mod | 43 |
Urheberrecht | |
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