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Like some fierce tyrant in old tapestry.
Fear most to tax an honourable fool,
Whose right it is, uncensured, to be dull;

Such, without wit, are poets when they please,
As without learning they can take degrees.
Leave dangerous truths to unsuccessful satires,
And flattery to fulsome dedicators,

Whom, when they praise, the world believes no more,
Than when they promise to give scribbling o'er.
'Tis best sometimes your censure to restrain,
And charitably let the dull be vain :
Your silence there is better than your spite,
For who can rail so long as they can write?
Still humming on, their drowsy course they keep,
And lash'd so long, like tops, are lash'd asleep.
False steps but help them to renew the race,
As, after stumbling, jades will mend their pace.
What crowds of these, impenitently bold,
In sounds and jingling syllables grown old,
Still run on poets in a raging vein,

Even to the dregs and squeezing of the brain,
Strain out the last dull droppings of their sense,
And rhyme with all the rage of impotence.

Such shameless bards we have; and yet 'tis true,
There are as mad, abandon'd critics too.
The bookful blockhead ignorantly read,
With loads of learned lumber in his head,
With his own tongue still edifies his ears,
And always listening to himself appears.
All books he reads, and all he reads assails,
From Dryden's Fables down to D'Urfey's Tales.
With him most authors steal their works, or buy;
Garth did not write his own Dispensary.*
Name a new play, and he's the poet's friend,
Nay, show'd his faults-but when would poets mend?
No place so sacred from such fops is barr'd,

Nor is Paul's church more safe than Paul's churchyard: A common slander at that time in prejudice of that deserving author.

Nay, fly to altars; there they'll talk you dead;
For fools rush in where angels fear to tread.
Distrustful sense with modest caution speaks,
It still looks home, and short excursions makes;
But rattling nonsense in full volleys breaks,
And never shock'd, and never turn'd aside,
Bursts out, resistless, with a thundering tide.

But where's the man who counsel can bestow,
Still pleased to teach, and yet not proud to know?
Unbias'd, or by favour or by spite;

Not dully prepossess'd, not blindly right;

Though learn'd, well-bred; and though well-bred, sincere ; Modestly bold, and humanly severe;

Who to a friend his faults can freely show,

And gladly praise the merit of a foe?
Blest with a taste exact, yet unconfined;
A knowledge both of books and human kind;
Generous converse; a soul exempt from pride;
And love to praise, with reason on his side?

Such once were critics; such the happy few,
Athens and Rome in better ages knew.
The mighty Stagyrite first left the shore,
Spread all his sails, and durst the deeps explore';
He steer'd securely, and discover'd far,
Led by the light of the Mæonian star.*
Poets, a race long unconfined and free,
Still fond and proud of savage liberty,
Received his laws; and stood convinced 'twas fit,
Who conquer'd nature should preside o'er wit.
Horace still charms with graceful negligence;
And without method talks us into sense;
Will, like a friend, familiarly convey
The truest notions in the easiest way.
He who, supreme in judgment as in wit,
Might boldly censure, as he boldly writ,

Yet judged with coolness, though he sung with fire;
His precepts teach but what his works inspire.

* Homer.

Our critics take a contrary extreme,

They judge with fury, but they write with phlegm :
Nor suffers Horace more in wrong translations
By wits, than critics in as wrong quotations.
See Dionysius Homer's thoughts refine,
And call new beauties forth from every line!
Fancy and art in gay Petronius please,
The scholar's learning with the courtier's ease.

In grave Quintilian's copious work, we find
The justest rules and clearest method join'd:
Thus useful arms in magazines we place,

All ranged in order, and disposed with grace,
But less to please the eye, than arm the hand,
Still fit for use, and ready at command.

Thee, bold Longinus! all the Nine inspire,
And bless their critic with a poet's fire.
An ardent judge, who, jealous in his trust,
With warmth gives sentence, yet is always just:
Whose own example strengthens all his laws;
And is himself that great sublime he draws.

Thus long succeeding critics justly reign'd,
License repress'd, and useful laws ordain'd.
Learning and Rome alike in empire grew ;
And arts still follow'd where her eagles flew ;
From the same foes at last both felt their doom,
And the same age saw learning fall and Rome.
Then tyranny with superstition join'd,
As that the body, this enslaved the mind;
Much was believed, but little understood,
And to be dull was construed to be good;
A second deluge learning thus o'errun,
And the monks finished what the Goths begun.
At length Erasmus, that great injured name,
(The glory of the priesthood and the shame!)
Stemmed the wild torrent of a barbarous age,
And drove those holy Vandals off the stage.
But see! each Muse, in LEO's golden days,
Starts from her trance, and trims her withered bays,

D

Rome's ancient genius, o'er its ruins spread,
Shakes off the dust, and rears his reverend head.
Then sculpture and her sister-arts revive ;

Stones leap'd to form, and rocks began to live;
With sweeter notes each rising temple rung;'
A Raphael painted, and a Vida sung.
Immortal Vida! on whose honoured brow
The poet's bays and critic's ivy grow:
Cremona now shall ever boast thy name,
As next in place to Mantua,* next in fame!

But soon by impious arms from Latium chased,
Their ancient bounds the banished Muses pass'd.
Thence arts o'er all the northern world advance,
But critic-learning flourished most in France;
The rules a nation, born to serve, obeys;
And Boileau still in right of Horace sways.
But we, brave Britons, foreign laws despised,
And kept unconquer'd, and uncivilised;
Fierce for the liberties of wit, and bold,
We still defied the Romans, as of old.
Yet some there were, among the sounder few
Of those who less presumed and better knew
Who durst assert the juster ancient cause,
And here restored wit's fundamental laws.
Such was the Muse,t whose rules and practice tell,
"Nature's chief masterpiece is writing well."
Such was Roscommon, not more learned than good,
With manners generous as his noble blood;
To him the wit of Greece and Rome was known,

And every author's merit, but his own.

Such late was Walsh-the Muse's judge and friend,
Who justly knew to blame or to commend!
To failings mild, but zealous for desert;
The clearest head, and the sincerest heart.
This humble praise, lamented shade, receive!
This praise at least a grateful muse may give :
The muse, whose early voice you taught to sing,
Essay on Poetry, by the Duke of Buckingham.

* Virgil.

Prescribed her heights, and pruned her tender wing,
(Her guide now lost) no more attempts to rise,
But in low numbers short excursions tries:
Content, if hence the unlearn'd their wants may view,
The learn'd reflect on what before they knew:
Careless of censure, nor too fond of fame;
Still pleased to praise, yet not afraid to blame;
Averse alike to flatter, or offend;

Not free from faults, nor yet too vain to mend.

THE RAPE OF THE LOCK.

AN HEROI-COMICAL POEM.

Written in the year 1712.

TO MRS ARABELLA FERMOR.

MADAM,-It will be in vain to deny that I have some regard for this piece, since I dedicate it to you. Yet you may bear me witness, it was intended only to divert a few young ladies, who have good-sense and good-humour enough to laugh not only at their sex's little unguarded follies, but at their own. But as it was communicated with the air of a secret, it soon found its way into the world. An imperfect copy having been offered to a bookseller, you had the goodnature, for my sake, to consent to the publication of one more correct this I was forced to before I had executed half my design, for the machinery was entirely wanting to complete

it.

The machinery, Madam, is a term invented by the critics to signify that part which the deities, angels, or demons are made to act in a poem: for the ancient poets are in one respect like many modern ladies-let an action be never so trivial in itself, they always make it appear of the utmost importance. These machines I determined to raise on a very new and odd foundation, the Rosicrucian doctrine of spirits. I know how disagreeable it is to make use of hard words

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