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storing decayed lungs. Democritus is generally represented to us as a man of the largest size, which we may attribute to his frequent exercise of his risible faculty. I remember Juvenal says of him, Perpetuo risu pulmonem agitare solebat.'-Sat. x. 33. He shook his sides with a perpetual laugh.'

That sort of man whom a late writer has called the Butt is a great promoter of this healthful agitation, and is generally stocked with so much goodhumour, as to strike in with the gaiety of conversation, though some innocent blunder of his own be the subject of the raillery.

I shall range all old amorous dotards under the denomination of Grinners; when a young blooming wench touches their fancy, by an endeavour to recall youth into their cheeks, they immediately overstrain their muscular features, and shrivel their countenance into this frightful merriment.

The wag is of the same kind, and by the same artifice labours to support his impotence of wit : but he very frequently calls in the horse-laugh to his assistance.

There are another kind of grinners, which the ancients call Megarics; and some moderns have, not injudiciously, given them the name of the Sneerers. These always indulge their merit at the expence of their friends, and all their ridicule consists in unseasonable ill-nature. I could wish these laughers would consider, that let them do what they can, there is no laughing away their own follies by laughing at other people's.

The mirth of the tea-table is for the most part Megaric; and in visits the ladies themselves very seldom scruple the sacrificing a friendship to a laugh of this denomination.

The coquette hath a great deal of the Megaric

in her; but, in short, she is a proficient in laughter, and can run through the whole exercise of the features; she subdues the formal lover with the dimple, accosts the fop with a smile, joins with the wit in the downright laugh; to vary the air of her countenance frequently raillies with the grin; and when she has ridiculed her lover quite out of his understanding, to complete his misfortunes, strikes him dumb with the horse-laugh.

The horse-laugh is a distinguishing characteristic of the rural hoyden, and it is observed to be the last symptom of rusticity that forsakes her under the discipline of the boarding-school.

Punsters, I find, very much contribute towards the Sardonic, and the extremes of either wit or folly seldom fail of raising this noisy kind of applause. As the ancient physicians held the Sardonic laugh very beneficial to the lungs; I should, methinks, advise all my countrymen of consumptive and hectical constitutions to associate with the most facetious punsters of the age. Persius hath very elegantly described a Sardonic laughter in the following line,

• Ingeminat tremulos naso crispante cachinnos.' Sat. iii. 87. Redoubled peals of trembling laughter burst, Convulsing every feature of the face.'

Laughter is a vent of any sudden joy that strikes upon the mind, which being too volatile and strong, breaks out in this tremor of the voice. The poets make use of this metaphor when they would describe nature in her richest dress, for beauty is never so lovely as when adorned with the smile, and conversation never sits easier upon us, than when we now and then discharge ourselves in a symphony of laughter, which may not improperly be called, The Chorus of Conversation.

N° 30. WEDNESDAY, APRIL 15, 1713,

-redeunt Saturnia Regna,

VIRG, Ecl. iv. 6.

-Saturnian times

Roll round again,

DRYDEN.

THE Italians and French being dispatched, I come now to the English, whom I shall treat with such meekness as becomes a good patriot; and shall so far recommend this our island as a proper scene for pastoral, under certain regulations, as will satisfy the courteous reader that I am in the landed interest.

I must in the first place observe, that our countrymen have so good an opinion of the ancients, and think so modestly of themselves, that the generality of pastoral-writers have either stolen all from the Greeks and Romans, or so servilely imitated their manners and customs, as makes them very ridiculous. In looking over some English pastorals a few days ago, I perused at least fifty lean flocks, and reckoned up an hundred lefthanded ravens, besides blasted oaks, withering meadows, and weeping deities. Indeed most of

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the occasional pastorals we have, are built upon one and the same plan. A shepherd asks his fellow, Why he is so pale? if his favourite sheep hath strayed? if his pipe be broken? or Phyllis unkind?' He answers, None of these misfortunes have befallen him, but one much greater, for Da

mon (or sometimes the god Pan) is dead.' This immediately causes the other to make complaints, and call upon the lofty pines and silver streams to join in the lamentation. While he goes on, his friend interrupts him, and tells him that Damon lives, and shews him a track of light in the skies to confirm it: then invites him to chesnuts and cheese. Upon this scheme most of the noble families in Great-Britain have been comforted; nor can I meet with any right honourable shepherd that doth not die and live again, after the manner of the aforesaid Damon.

Having already informed my reader wherein the knowledge of antiquity may be serviceable, I shall now direct him where he may lawfully deviate from the ancients. There are some things of an established nature in pastoral, which are essential to it, such as a country scene, innocence, simplicity. Others there are of a changeable kind, such as habits, customs, and the like. The difference of the climate is also to be considered, for what is proper in Arcadia, or even in Italy, might be very absurd in a colder country. By the same rule the difference of the soil, of fruits and flowers, is to be observed. And in so fine a country as Britain, what occasion is there for that profusion of hyacinths and Pæstan roses, and that cornucopia of foreign fruits which the British shepherds never heard of? How much more pleasing is the following scene to an English reader!

This place may seem for shepherds' leisure made,
So lovingly these elms unite their shade.
Th' ambitious woodbine, how it climbs to breathe
Its balmy sweets around on all beneath!
The ground with grass of chearful green bespread,
Thro' which the springing flow'r up-rears its head!

Lo here the king-cup of a golden hue

Medley'd with daisies white, and endive blue!
Hark, how the gaudy goldfinch and the thrush,
With tuneful warblings fill that bramble-bush!
In pleasing concert all the birds combine,
And tempt us in the various song to join *,

The theology of the ancient pastoral is so very pretty, that it were pity intirely to change it; but I think that part only is to be retained which is universally known, and the rest to be made up out of our own rustical superstition of hobthrushes, fairies, goblins, and witches. The fairies are capable of being made very entertaining persons, as they are described by several of our poets; and particularly by Mr. Pope;

About this spring (if ancient fame say true)
The dapper elves their moon-light sports pursue,
Their pigmy king, and little fairy queen,
In circling dances gambol'd on the green,
While tuneful springs a merry concert made,
And airy music warbled through the shade.'

What hath been said upon the difference of climate, soil, and theology, reaches the proverbial sayings, dress, customs and sports of shepherds, The following examples of our pastoral sports are extremely beautiful:

Whilome did I, tall as this poplar fair,

Up-raise my heedless head, devoid of care,
Mong rustic routs the chief for wanton game;
Nor could they merry make till Lobbin came.
Who better seen than I in shepherds arts,
To please the lads, and win the lasses hearts?
How deftly to mine oaten reed, so sweet,
Wont they upon the green to shift their feet?
And weary'd in the dance, how would they yearn
Some well devised tale from me to learn?
For many songs and tales of mirth had I,
To chace the lingring sun a-down the sky.
Philips's Fourth Pastoral, ab initio.

VOL. XVI.

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