Shakespearean CriticismMichael Magoulias Gale Research International, Limited, 03.07.1995 - 500 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 247
... stage : Titus , in Act III , cuts off his own hand ; Lavinia picks it off the stage with her teeth ( because she has no hands ) , and finally Titus , with ' gentle ' Lavinia's help , cooks up the Empress's sons in a pie , and causes her ...
... stage : Titus , in Act III , cuts off his own hand ; Lavinia picks it off the stage with her teeth ( because she has no hands ) , and finally Titus , with ' gentle ' Lavinia's help , cooks up the Empress's sons in a pie , and causes her ...
Seite 318
... stage . Moreover , with Bas- sianus's blood upon it , his body within , and the two en- trapped Andronici accused of his murder trapped inside , the pit - that is , the trap door at the front of the Elizabe- than stage becomes not only ...
... stage . Moreover , with Bas- sianus's blood upon it , his body within , and the two en- trapped Andronici accused of his murder trapped inside , the pit - that is , the trap door at the front of the Elizabe- than stage becomes not only ...
Seite 326
... stage history . Yet these tell us only what physical things are seen , not how they are seen , how the visual ... stage property , for we know from Henslowe's diary that prop tombs were in use on the popular stage in 1598. While the ...
... stage history . Yet these tell us only what physical things are seen , not how they are seen , how the visual ... stage property , for we know from Henslowe's diary that prop tombs were in use on the popular stage in 1598. While the ...
Inhalt
Shakespeare and Classical Civilization | 1 |
Antony and Cleopatra | 81 |
Timon of Athens | 154 |
Urheberrecht | |
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Aaron Achilles action Aeneas Aeneid Alcibiades allusions ancient Antony and Cleopatra Antony's Apemantus Athenian audience becomes Brutus character Chiron classical Cleo comedy contrast Coriolanus critics death Demetrius Dido dramatic Elizabethan English Enobarbus essay date fact friends give gods Goths Greek Hamlet hath Hector Hecuba Hercules hero Homer human Iliad Jonson Julius Caesar King language Latin Lavinia Lear live lord lovers Lucius Lucrece Marcus Mars means Metamorphoses moral nature noble Octavius Ovid Ovid's Ovidian passion patra peare peare's Plautus play's Plutarch poem poet poetry political queen rape Renaissance revenge rhetoric Roman plays Rome Saturninus says scene seems Sejanus Senate Seneca sense Shakes Shakespeare Shakespeare's Roman speak speech stage story style suggests Tamora Tereus thee things thou thought Timon of Athens tion Titus Andronicus Titus's tradition tragedy tragic translation Troilus and Cressida Troy Ulysses values Venus Vergil virtue words