Shakespearean Criticism YearbookMichele Lee Gale Research International, Limited, 1998 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 47
... Theseus and his bride , have allowed for a range of interpretations on stage because of Hippolyta's silence . Directors and actor - managers have long manipulated both the action and audience attitude toward a character or a situation ...
... Theseus and his bride , have allowed for a range of interpretations on stage because of Hippolyta's silence . Directors and actor - managers have long manipulated both the action and audience attitude toward a character or a situation ...
Seite 48
... Theseus ' leg 3. Th [ eseus ] . ' s shoulder pressing H [ ippolyta ] . ' s shoulder downward . . . . 5. H [ ippolyta ] ... Theseus waits to wed Hippolyta . What remains of this sequence is a clue to a point of view and to the play's ...
... Theseus ' leg 3. Th [ eseus ] . ' s shoulder pressing H [ ippolyta ] . ' s shoulder downward . . . . 5. H [ ippolyta ] ... Theseus waits to wed Hippolyta . What remains of this sequence is a clue to a point of view and to the play's ...
Seite 373
... Theseus establishes unilaterally and in viola- tion of " reason . " Theseus's autocratic conduct suggests a wavering , divided mind , but one nevertheless pos- sessed of final authority . Emilia's consent , of course , is never given ...
... Theseus establishes unilaterally and in viola- tion of " reason . " Theseus's autocratic conduct suggests a wavering , divided mind , but one nevertheless pos- sessed of final authority . Emilia's consent , of course , is never given ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading references relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York