Shakespearean Criticism YearbookMichele Lee Gale Research International, Limited, 1998 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 213
... audience is implicated in Iago's invocation of the horrors of miscegenation , the improper sexual mixture that medieval theologians called adultery ( 395-99 and 407-9 ) . For Arthur L. Little Jr. the whole of the play constitutes " the ...
... audience is implicated in Iago's invocation of the horrors of miscegenation , the improper sexual mixture that medieval theologians called adultery ( 395-99 and 407-9 ) . For Arthur L. Little Jr. the whole of the play constitutes " the ...
Seite 362
... audience in an act that will contain such catastrophes and wonders as Thaisa's death and " re- birth " and the birth of Marina . Both speeches in act 4 also focus on the power of the audience to knit together tale and spectacle . In the ...
... audience in an act that will contain such catastrophes and wonders as Thaisa's death and " re- birth " and the birth of Marina . Both speeches in act 4 also focus on the power of the audience to knit together tale and spectacle . In the ...
Seite 365
... audience's role.44 For in late Shakespeare , a phase in many ways ushered in by Pericles , the audience experiences and finally enables - the active , dynamic process of wonder . This is the very process that I have located in Patrizi ...
... audience's role.44 For in late Shakespeare , a phase in many ways ushered in by Pericles , the audience experiences and finally enables - the active , dynamic process of wonder . This is the very process that I have located in Patrizi ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading references relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York