Shakespearean Criticism YearbookMichele Lee Gale Research International, Limited, 1998 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 386
... consolation obtained for betrayal in love depends upon the argument for an essential similarity between the two men . But in this triad the lover finds it increasingly difficult to create excuses for the young man , and explicitly ...
... consolation obtained for betrayal in love depends upon the argument for an essential similarity between the two men . But in this triad the lover finds it increasingly difficult to create excuses for the young man , and explicitly ...
Seite 388
... consolation . Death is an ultimate absence from which no return can be ex- pected ; it is also an inevitable absence that neither the lover nor the beloved can control . When death causes absence , the beloved cannot be said to refuse ...
... consolation . Death is an ultimate absence from which no return can be ex- pected ; it is also an inevitable absence that neither the lover nor the beloved can control . When death causes absence , the beloved cannot be said to refuse ...
Seite 393
... consolation . By the end of the second subsequence the speaker longs , but apparently in vain , to be re- leased from the state of immutable love which he had earlier sought . In his sonnets Shakespeare constructs a fictional world that ...
... consolation . By the end of the second subsequence the speaker longs , but apparently in vain , to be re- leased from the state of immutable love which he had earlier sought . In his sonnets Shakespeare constructs a fictional world that ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading references relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York