Shakespearean Criticism YearbookMichele Lee Gale Research International, Limited, 1998 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 288
... Death does in the Dance of Death . The Dance traditionally has that figure as a human being already dead who points one of the living the way to the grave . In pictorial representation he is a decaying corpse or a skeleton who comes ...
... Death does in the Dance of Death . The Dance traditionally has that figure as a human being already dead who points one of the living the way to the grave . In pictorial representation he is a decaying corpse or a skeleton who comes ...
Seite 388
... death offers advantages in the effort to find consolation . Death is an ultimate absence from which no return can be ex- pected ; it is also an inevitable absence that neither the lover nor the beloved can control . When death causes ...
... death offers advantages in the effort to find consolation . Death is an ultimate absence from which no return can be ex- pected ; it is also an inevitable absence that neither the lover nor the beloved can control . When death causes ...
Seite 389
... death itself virtuous and so provides himself with a consolation for death , and he finds the youth's inevitable death to be evidence of his virtue , a consolation in death . Sonnets 71-74 shift the focus of the sequence from the young ...
... death itself virtuous and so provides himself with a consolation for death , and he finds the youth's inevitable death to be evidence of his virtue , a consolation in death . Sonnets 71-74 shift the focus of the sequence from the young ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading references relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York