Shakespearean Criticism YearbookMichele Lee Gale Research International, Limited, 1998 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 32
... erotic scenes between Olivia and Viola as part of what she calls the play's " multiple erotic investments " ; but her careful and ground - breaking study warns us that Viola's homoerotic investment is not celebrated in the play and ...
... erotic scenes between Olivia and Viola as part of what she calls the play's " multiple erotic investments " ; but her careful and ground - breaking study warns us that Viola's homoerotic investment is not celebrated in the play and ...
Seite 35
... erotic attraction difficult to decipher . The theatrical convention of cross- dressing and the androgyny it comes to symbolize thus challenge the regulatory parameters of erotic attraction through the vehicle of performance , a ...
... erotic attraction difficult to decipher . The theatrical convention of cross- dressing and the androgyny it comes to symbolize thus challenge the regulatory parameters of erotic attraction through the vehicle of performance , a ...
Seite 204
... erotic life takes place only in his head ; though he seems to imagine a series of erotic objects - Desdemona ( II . 286-89 ) , Cassio ( 3.3.419-32 ) , and Othello himself ( in the coded language " the lustful Moor / Hath leap'd into my ...
... erotic life takes place only in his head ; though he seems to imagine a series of erotic objects - Desdemona ( II . 286-89 ) , Cassio ( 3.3.419-32 ) , and Othello himself ( in the coded language " the lustful Moor / Hath leap'd into my ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Urheberrecht | |
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action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading references relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York