Shakespearean Criticism YearbookMichele Lee Gale Research International, Limited, 1998 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... production was not successful , largely be- cause the " stage , " an open space at the upper end of a large hall , was too flat to allow good visibility and the amateur actors had difficulty making themselves heard . The second one ...
... production was not successful , largely be- cause the " stage , " an open space at the upper end of a large hall , was too flat to allow good visibility and the amateur actors had difficulty making themselves heard . The second one ...
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... production . As for the audi- ences , in Smallwood's euphoric words , " Shakespeare's so - called failure , his apprentice work , his unplayable flop , became the hit of the season . " Reviewing these theatrical attempts to popularize ...
... production . As for the audi- ences , in Smallwood's euphoric words , " Shakespeare's so - called failure , his apprentice work , his unplayable flop , became the hit of the season . " Reviewing these theatrical attempts to popularize ...
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... production . For Rey- nolds's probable use of Kemble , see Schlueter , 31-33 . 13 These were a single performance at Covent Garden , 1784 , and a first attempt by Kemble , at Drury Lane , 1790. Although stage historians have said that ...
... production . For Rey- nolds's probable use of Kemble , see Schlueter , 31-33 . 13 These were a single performance at Covent Garden , 1784 , and a first attempt by Kemble , at Drury Lane , 1790. Although stage historians have said that ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Urheberrecht | |
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action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading references relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York