Shakespearean Criticism YearbookMichele Lee Gale Research International, Limited, 1998 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 33
... role of male actor playing a woman playing a man , Viola / Cesario must literally perform the role of the male ; her success before the aristocratic Orsino and Olivia consequently points to the constructedness and performative charac ...
... role of male actor playing a woman playing a man , Viola / Cesario must literally perform the role of the male ; her success before the aristocratic Orsino and Olivia consequently points to the constructedness and performative charac ...
Seite 61
... role of Hel- ena to his favorite actress , Ada Rehan , reassigned many of the interrupting lines to the women . Altering the text and countering its implication of the silent women , Daly gave several of the lines of the commentators to ...
... role of Hel- ena to his favorite actress , Ada Rehan , reassigned many of the interrupting lines to the women . Altering the text and countering its implication of the silent women , Daly gave several of the lines of the commentators to ...
Seite 330
... role in Ireland to that of the Spaniards in America.29 References to previous Spanish conquests introduce a kind of reciprocity in colonialist quoting , with Ireland as the middle term : the English quote the Spanish experience in ...
... role in Ireland to that of the Spaniards in America.29 References to previous Spanish conquests introduce a kind of reciprocity in colonialist quoting , with Ireland as the middle term : the English quote the Spanish experience in ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading references relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York