Shakespearean Criticism YearbookMichele Lee Gale Research International, Limited, 1998 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... voice . In the effort to fire Brabanzio up against Othello , Iago uses his own voice in chorus with Roderigo's . To arouse Brabanzio's emotions , Iago - keeping his personal identity ob- scure takes on the voice of a ' ruffian ...
... voice . In the effort to fire Brabanzio up against Othello , Iago uses his own voice in chorus with Roderigo's . To arouse Brabanzio's emotions , Iago - keeping his personal identity ob- scure takes on the voice of a ' ruffian ...
Seite 312
... voice is audible in these pipes : " Instead of [ Syrinx ] he held nothing but marsh reeds . . . and while he sighed in disappointment , the soft air stirring in the reeds gave forth a low and complaining sound " ( 1.708 ) . Ovid lets us ...
... voice is audible in these pipes : " Instead of [ Syrinx ] he held nothing but marsh reeds . . . and while he sighed in disappointment , the soft air stirring in the reeds gave forth a low and complaining sound " ( 1.708 ) . Ovid lets us ...
Seite 314
... voice in that literary legacy in particular . Before looking more closely at the telling role female voices play in The Winter's Tale , however , we must examine the vicissi- tudes of the voice in the Rime Sparse , particularly for ...
... voice in that literary legacy in particular . Before looking more closely at the telling role female voices play in The Winter's Tale , however , we must examine the vicissi- tudes of the voice in the Rime Sparse , particularly for ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading references relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York