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Seite 81
The result was that Scott sat once more to Raeburn , who produced at his instance a replica of the first pose though not of the first likeness . In the second portrait the greyhound Percy ' covers the space occupied by the Hermitage ...
The result was that Scott sat once more to Raeburn , who produced at his instance a replica of the first pose though not of the first likeness . In the second portrait the greyhound Percy ' covers the space occupied by the Hermitage ...
Seite 85
Scott was pleased with the picture , and said it accurately conveyed the notion of thestout , blunt carle that cares for few things and fears nothing . ' Like Phillips , Lawrence presented the author in what in those days was known as ...
Scott was pleased with the picture , and said it accurately conveyed the notion of thestout , blunt carle that cares for few things and fears nothing . ' Like Phillips , Lawrence presented the author in what in those days was known as ...
Seite 88
Among Scott's American admirers was George Ticknor , the Boston publisher , who visited him at Abbotsford in 1819. Writing to Scott after his return to America , he begged him to get his portrait done by some artist of his own choosing ...
Among Scott's American admirers was George Ticknor , the Boston publisher , who visited him at Abbotsford in 1819. Writing to Scott after his return to America , he begged him to get his portrait done by some artist of his own choosing ...
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Inhalt
ART PAGE 1 The War Guilt | 201 |
An Early Victorian Childhood | 216 |
Italian Influence on French Art | 242 |
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