Shakespearean CriticismGale Research International, Limited, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 130
... moves to the top of the hierarchy to establish the Christian paradox that the bottom shall be top . Such a hierarchy implies a static plot structure , for , with the exception of Bottom and Titania , the charac- ters move about ...
... moves to the top of the hierarchy to establish the Christian paradox that the bottom shall be top . Such a hierarchy implies a static plot structure , for , with the exception of Bottom and Titania , the charac- ters move about ...
Seite 137
... move from Athenian daylight to the moonlit woods , the poetic terms of the clarification movement change from the literal to the symbolic , but the process of clarification remains the same . The Dream also moves vertically through a ...
... move from Athenian daylight to the moonlit woods , the poetic terms of the clarification movement change from the literal to the symbolic , but the process of clarification remains the same . The Dream also moves vertically through a ...
Seite 317
... moves he must " Start not " and must be told , like her , when to move and to " present your hand . " The ideas of her ( poten- tial ) motion and their lack of it are intertwined through- out . Only by creating a world of stilled lives ...
... moves he must " Start not " and must be told , like her , when to move and to " present your hand . " The ideas of her ( poten- tial ) motion and their lack of it are intertwined through- out . Only by creating a world of stilled lives ...
Inhalt
Dreams in Shakespeare | 1 |
A Midsummer Nights Dream | 84 |
The Winters Tale | 295 |
Urheberrecht | |
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action Alonso Antonio appears Ariel audience Autolycus becomes Bohemia Bottom Caesar Caliban characters comedy comic critics cultural Cymbeline daughter death Demetrius desire dramatic Elizabethan essay experience eyes fairies fantasy father fear Ferdinand fiction figure Florizel Freud Gonzalo Hamlet hath Helena Hermia Hermione Hermione's Hippolyta human illusion imagination interpretation island king King Lear Lady language Lear Leontes London lovers Lysander Macbeth magic male Mamillius marriage masque means ment metaphor Midsummer Night's Dream mimetic mind Miranda mother murder Nashe's nature Neoplatonist Oberon Ovid Paulina Perdita play's plot Polixenes Portia Posthumus present Prospero psychoanalytic Puck Pyramus Queen reality Renaissance role Romeo says scene seems sense sexual Shake Shakespeare significant sleep social speak speare's speech spirit stage Stephano Stephen Orgel strange suggests symbolic Tempest theatrical thee theme Theseus things thou tion Titania transformation Trinculo University Press vision wife Winter's Tale words